A Quote by Lara Pulver

I'm not shutting doors on myself, in any way, within theater, musical theater, TV and film. — © Lara Pulver
I'm not shutting doors on myself, in any way, within theater, musical theater, TV and film.
When you're on stage, you're playing to whoever is in the back of the room, and TV and film is so much more detailed and nuanced, but I think that's what I always wanted to do. As much as I love theater and musical theater and would love to do it again, I really love the subtleties of film and theater acting.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
I always envisioned working in film and in theater. Theater and film are not, they're not in any way substitutable. What I love about theater is so different from what I love about film, and I enjoy the craft of both.
I love doing theater. Despite the fact that out of theater, film, and TV, theater is the hardest thing to do. It's the least paid, and we all have these bills that we have to pay.
I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I was there when the quote-unquote golden age of musical theater was flourishing. I met everybody who worked in theater or was famous in theater from the '40s on.
When you're on TV, you come into people's homes. In theater and film, they go to you - to the temple of the cinema or theater. And it's very different.
What happens in Israel, it's not so divided between being a film actor, or a TV actor - usually, we just do everything. I do theater, film, and television, and the theater is mostly financed by the government.
It's quite clear if you look at the actors in film right now, some of them came from theater but they didn't come from musical theater. There's still a bit of a stigma attached to it I would say.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.
I come from the theater, and I've done a lot of character work in the theater, but Hollywood stuff in film and TV, they've been more leading lady/ingenue type roles.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
In college, I actually majored in Musical Theater. I was pursuing a BFA in Musical Theater.
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