A Quote by Larenz Tate
'Crash' is a movie about the racial tension that still exists in America. A lot of us pretend that we don't have preconceived notions and stereotypical ideals about each other, but we do. And we wanted to create a movie about people whose lives crash into each others' accidentally.
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What happens when you're in a crash is you join a crash club, and you talk endlessly about your crash because you don't want to bore your friends with it. And they've heard about the crash so many times.
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I find titles the hardest thing. I was worried that 'Waste Land' was too much of a downer. For me, 'The Crash Reel' confronts what the film is about: it's not just about the reality of a crash, it's about the extremity we all face, and what happens when life crashes on you.
I don't know if 'Crash' is a good movie or not because I didn't set out to make a movie. Really, what I wanted to do is more of a social experiment.
With 'Hail, Caesar!' it was about all the skill sets I had to learn, but each movie requires a different way of working. You're a piece in a new world, and there is always a difficult part within that world. For me, it's not consistent from movie-to-movie, each film has a central challenge.
Any real virtual reality enthusiast can look back at VR science fiction. It's not about playing games... 'The Matrix,' 'Snow Crash,' all this fiction was not about sitting in a room playing video games. It's about being in a parallel digital world that exists alongside our own, communicating with other people, playing with other people.
Myths are stories about people who become too big for their lives temporarily, so that they crash into other lives or brush against gods. In crisis their souls are visible.
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A lot of making a movie is the comfort level of the people. It's just feeling open. We need to get along. We have to know something about each other.
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Instead of talking at each other about the non-business-related contact, talk to each other about your concerns about marriage. Listen a lot, too.
I loved that these two guys argued with each other as if movies actually mattered. Nobody I knew talked about movies that way, but Siskel and Ebert took each movie as it came and talked about whether it was a success on its own terms.
We're just having a lot of fun and ripping each other all the time. We get stuck into each other about everything: about the football or about Fifa. Anything. It's all part of team bonding. It's all very natural.
If you watched a movie about a guy who wanted a Volvo and worked for years to get it, you wouldn’t cry at the end when he drove off the lot, testing the windshield wipers. You wouldn’t tell your friends you saw a beautiful movie or go home and put a record on to think about the story you’d seen. The truth is, you wouldn’t remember that movie a week later, except you’d feel robbed and want your money back. Nobody cries at the end of a movie about a guy who wants a Volvo.
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