A Quote by Larissa Ione

For the next eight and a half months, you're going to be mine. Every. Night. — © Larissa Ione
For the next eight and a half months, you're going to be mine. Every. Night.
When I wrote "Win," it only took about eight months, but eight months of sheer pain and suffering because every phrase that's in there - and there are about 130 specific linguistic recommendations - I had to test every one to make sure that it worked.
Most of the time one night blends into the next and weeks blend into weeks and months into other months. And sooner or later we all die. But at the beginning of the night anything’s possible.
Each of my books has taken me a different length of time to write - eight months for Seesaw Girl, eight months for Shard, three years for When My Name Was Keoko! The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
Each of my books has taken me a different length of time to write - eight months for 'Seesaw Girl,' eight months for 'Shard,' three years for 'When My Name Was Keoko!' The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
I don't write from dreams because I don't remember mine, but I had a fragment of an image left about twins, whose father was telling them how their lives were going to go for the next eight years. I wrote a scene about that, and then another and then another and then another, and after five months I had 732 pages.
I went into rehab December 14th, 1996, and got out eight months later? Then I went into a sober living place where I stayed for three months. I've been clean for a good year and a half.
Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
These five-and-a-half seasons I was working with Ajax as the head coach, and four-and-a-half as the trainer of the academy, it cost me less energy than the eight months of Inter and Crystal Palace.
I spent every night until four in the morning on my dissertation, until I came to the point when I could not write another word, not even the next letter. I went to bed. Eight o'clock the next morning I was up writing again.
What a glorious night. Every face I see is a memory. It may not be a perfectly perfect memory. Sometimes we had our ups and downs. But we're all together and you're mine for a night. And I'm going to break precedent and tell you my one-candle wish...that you would have a life as lucky as mine, where you can wake up one morning and say, 'I don't want anything more'. Sixty-five years. Don't they go by in a blink?
What usually happens is that when I'm nearing the end of one novel a vague idea about what I want to do next begins to present itself to me in terms of theme. And I would say over about the next six to eight months, usually as I'm out power walking in the morning, or when I'm cooking at night, or when I'm driving in the car, the people who might embody those themes take on a sharper and sharper focus. And there comes this sort of critical mass moment when they actually start to do things in my head.
I do my show half-hour a night four nights a week. I haven't seen my kids in 18 months, and I am losing calcium in my bones. Doctors say I should stop. I'm not going to.
I worked in a factory for 10 months with the aim of going traveling in Europe. I bought a bottle of bubble stuff and spent every night playing with bubbles. After 10 months, I went to Europe and did bubble shows on the street.
Everyone who wants to make it in comedy goes to L.A., so a million comedians fight for time on three stages. If you get in there in New York, you're working eight times a night sometimes. Who's going to be funny, the guy who works once a week, or the guy working eight times a night?
There's something exciting and incredibly liberating for an artist to finish something Friday night and the world hears it Friday night instead of eight months later after marketing people and all those assholes get involved.
If you don't put out a shirt for eight months, that doesn't mean it took you eight months to make the shirt.
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