A Quote by Larissa Ione
You know I could crush you." "I know you won't." "Why, because I need to protect you?" "No," She poked him in the breastplate. "Because you gave me a pillow.
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Sometimes I remember that I can't always protect those I love." Under his fingers, her hair was soft and silky. She didn't try to tell him that he wasn't God, that he couldn't protect everyone. He knew that. But knowing and believing were two different things. What she did say succeeded in stopping his heart. "I wish you'd love me." Why?" Because then maybe you could protect me, too" Haunting sorrow whispered through her tone.
He was making her feel small and absurdly petulant and, worse yet, she suspected he was right. She always suspected he was right. For a brief irrational moment, she wished she could walk away from him. Then she wished, more rationally, that she could love him without needing him. Need gave him power without his trying; need was the choicelessness she often felt around him.
Nora leaves her husband, not-as the stupid critic would have it-because she is tired of her responsibilities or feels the need of woman's rights, but because she has come to know that for eight years she had lived with a stranger and borne him children. Can there be anything more humiliating, more degrading than a life-long proximity between two strangers? No need for the woman to know anything of the man, save his income. As to the knowledge of the woman-what is there to know except that she has a pleasing appearance?
("Let's stand under a tree," she said. "Why?" "Because it's nicer." "Maybe you should sit on a chair, and I'll stand above you, like they always do with husbands and wives." "That's stupid." "Why's it stupid?" "Because we're not married." "Should we hold hands?" "We can't." "But why?" "Because, people will know." "Know what?" "About us." "So what if they know?" "It's better when it's a secret." "Why?" "So no one can take it from us.")
How was it that he haunted her imagination so persistently? What could it be? Why did she care for what he thought, in spite of all her pride in spite of herself? She believed that she could have borne the sense of Almighty displeasure, because He knew all, and could read her penitence, and hear her cries for help in time to come. But Mr.Thornton-why did she tremble, and hide her face in the pillow? What strong feeling had overtaking her at last?
We were watching 'Madagascar' and Carmen asked me, she said, 'Is the zebra a boy or a girl?' and I said, 'He's a boy,' and she said 'How do you know?' and I said, 'Because I know him. I actually know all the actors that are doing the voices.' And she looks at me and she's like, 'You know a zebra? You know a talking zebra?'
Then she wished, more rationally, that she could love him without needing him. Need gave him power without his trying; need was the choicelessness she often felt around him.
My father who was there in the house, he wasn't at all a role model. And my mother, who was trying to protect me from him as best she could, she took me everywhere with her, which gave me a tremendous amount of sensitivity to the things women go through.
And she would protect him as fiercely, if it were ever his need- if a fight ever became too much for him or if he needed shelter, or food, or a fire in the rain. Or anything she could provide. She would protect him from anything.
but she realized that she wanted him to know her. She wanted him to understand her, if only because she had strange sense that he was the kind of man she could fall in love with, even if she didn't want to.
She closed her eyes. "I didn't know that. i didn't know anything. It scares me the things I told myself. But I would have told myself almost anything, because I wanted to believe him." "Why?" "Because I wanted to be with you.
We're going to have a lot of different options. Right now you have no options. You know why? Because the insurance company controlled Obama because they gave him a lot of money. That's why you have lines around the states. And you can't get competitive bidding.
I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.
Losing Bogey was horrible, obviously. Because he was young. And because he gave me my life. I wouldn't have had a - I don't know what would have happened to me if I hadn't met him. I would have had a completely different kind of life. He changed me, he gave me everything. And he was an extraordinary man.
I'm sorry, Dite." Dite shrugged away the apology. "You have spared my brother when you could have killed him and you have offered me escape from the cesspit of my family and this court. You know what it means to me, to make music in the court of Ferria. You've put a purse and an impossible dream in my hand. I don't know why you should apologize." "Because I am exiling you, Dite. I intend to raze your patrimony and salt its earth. You emphatically do not need to thank me.
Do you know why I won the last elections? It was because the people liked me, yes, because I had worked, yes, but also because the opposition had behaved badly toward me. And do you know why I won this war? Because my army was able to do it, yes, but also because the Americans were on the side of Pakistan.
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