A Quote by Larry Carlton

There are any number of players with extensive jazz backgrounds who haven't been able to fit into other styles," "It all boils down to taste, to playing what's appropriate for the context in which you're working.
I spent a few years here in Memphis, in the late '70s and early '80s, where I was studying a lot of country blues players and their styles. So it seems like every record I'll do, I will appropriate these blues styles that I remember.
As I've grown older I've been more influenced by more meandering styles of guitar playing, whether it's Celtic or Ethiopian folk music or some kind of noisier jazz like Sonny Sharrock. In terms of songwriting, I don't know that I could even pin it down.
The number of the fixed stars which observers have been able to see without artificial powers of sight up to this day can be counted. It is therefore decidedly a great feat to add to their number, and to set distinctly before the eyes other stars in myriads, which have never been seen before, and which surpass the old, previously known stars in number more than ten times.
I have seen great jazz musicians die obscure and drinking themselves to death and not really being able to get any work and working in small, funky jazz clubs.
But I can tell you that the issue, on one side, boils down to money - a lot of money. And it boils down to people and their connections with this money, and that's the portion that, even with this book, has not been mentioned to this day.
All managers have a different playing style and football philosophy. What's important for players is being able adapt to those different styles.
There are two real keys to winning. You've got to have good players: no coach won with bad players. You win with good players. That is number one. Number two is, when we are playing, let's say we are playing Michigan, and they had a really good press: we've got to solve that press.
I like musicians who look at the public. You have to bring the music to the largest number. Otherwise, we'll [the Jazz players] stay in the clubs. Jazz must be accessible to everyone.
The question is, what are appropriate words and inappropriate words for network television, and what's the context? Was this appropriate in this context? Or are you creatively trying to find a way to use that word on the air?
A lot of the game of AI today is finding the appropriate business context to fit it in. I love technology. It opens up lots of opportunities. But in the end, technology needs to be contextualized and fit into a business use case.
The number one thing on any team that will keep your players from being selfish is respect for the other players.
Good collaboration essentially boils down to personalities who work well together and are able to integrate each other's notes and ideas without killing each other.
I like to be able to control which players I'm working with. Because it doesn't matter how good a coach you are if the guys you're working with think they already know it all. You need a response, you need to feel they're trying. I want players who are always striving to improve.
The beauty of jazz is that it can accommodate all styles. You can take jazz and put rock in it, and it's still jazz.
I have visited many countries, and have been in cities without number, yet never did I enter a town which could not produce ten or twelve little great men; all fancying themselves known to the rest of the world, and complimenting each other upon their extensive reputation.
Biology sets the context, and that is critical, but obesity still boils down to whether a person eats too much or exercises enough.
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