A Quote by Larry Clark
I tell people to frame the picture. Make the greatest, most perfect composition you can . . . and then take a step forward. It skews it a bit and makes it more interesting.
Related Quotes
There's something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically... I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous.
You tend to compose things more in the middle of frame in 3-D than you would in a conventional frame. You can really see composition in 2-D but in 3-D your composition is much more complex. Everything has to be artificially enhanced. But you do gain something else with 3-D: you have a sense of space and heightened reality.
If I tell the Berliners to step forward, they do it. If I tell the Viennese to step forward, they do it, but then they ask why.
As practice makes perfect, I cannot but make progress; each drawing one makes, each study one paints, is a step forward.
Everybody can take a good picture. Everybody is interesting. Everyone has an interesting face. Some people are more difficult or more nervous or more tired. When you do a movie, you have action, you're talking, you're moving. You don't see the camera. Taking a picture with a photographer, you don't talk, it's more difficult than in a movie for your body to relax, to be yourself.
They say that nobody is perfect. Then they tell you practice makes perfect. I wish they'd make up their minds.
The biblical authors wrote of God's sovereignty over His world, and of man's experiences within that world, using such modes of speech about the natural order and human experience as were current in their days, and in a language that was common to themselves and their contemporaries. This is saying no more than that they wrote to be understood. Their picture of the world and things in it is not put forward as normative for later science, andy more than their use of Hebrew and Greek is put forward as a perfect model for composition in these languages.
I wanna take a step forward, and I also wanna make sure that step forward is the step that I want and that I'm not being pressured by life. You try and get better at doing something, and a lot of the time, it's because somebody told you that you needed to be better.
We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven't chosen at all.
It's just a wonderful experience and it's fun when you make a film and people go to it to emote and in my picture you hear the audible sobbing and then you hear the audible laughter and then you see people leaving the theater with a little bit of spring in their step. It's just great to be part of one that lasts a long time.
When you try to do one step forward to attain knowledge about the hidden truths, then do the same time three steps forward to perfect your character.
The only people who see the whole picture,' he murmured, 'are the ones who step out of the frame.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
I tell you before God, and as an honest man, your son (W A Mozart)is the greatest composer known to me by person and repute, he has taste and what is more the greatest skill in composition.
I know it's a bit of an awful thing to say, but I really just make things up. My main goal is to make a picture that people find interesting to look at and that has my name on it.
They couldn’t have known that even this was a lie—that we never really choose, not entirely. We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven’t chosen at all. But maybe happiness isn’t in the choosing. Maybe it’s in the fiction, in the pretending: that wherever we have ended up is where we intended to be all along.
Related Authors
Claude Lelouch Quotes
French
Film director
Costa-Gavras Quotes
French
Film director
Franny Armstrong Quotes
British
Film director
Gabe Polsky Quotes
American
Film director
Hassan Blasim Quotes
Iraqi
Film director
James Ponsoldt Quotes
American
Film director
Jaume Collet-Serra Quotes
American
Film director
Jean-Pierre Jeunet Quotes
French
Film director
Joseph McGinty Nichol Quotes
American
Film director
Julian Huxley Quotes
English
Film director
Kimberly Peirce Quotes
American
Film director
Laura Poitras Quotes
American
Film director
Len Wiseman Quotes
American
Film director
Oren Moverman Quotes
American
Film director
Ti West Quotes
American
Film director
