A Quote by Larry Clark

I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn’t planned; it was realism.
I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn't planned; it was realism. Over the years, the work has changed for me. I know that I have wanted to repeat myself, but I can't. I've been lost a lot of times, but then I'd just get an idea and photograph it. Once I'd started, I'd know exactly what would go down and how it would end. So I just quit doing it, because it loses all interest for me when you know what's going to happen.
It doesn’t matter if you use a box camera or a Leica, the important thing is what motivates you when you are photographing. What I have tried to do is involve the people I was photographing. To have them realize without saying so, that it was up to them to give me whatever they wanted to give me . . . if they were willing to give, I was willing to photograph.
He who writes must master the rules of grammar. He who shoots photographs needs only to follow the instructions as given by the camera.... This leads to the paradox that the more people shoot photographs, the less they are capable of deciphering them.
Photographs also show the way that the camera sees. It's not just me or you or anybody else. The camera does something that is different from our own setting.
It is the purity of man's heart and mind, and his innocent and faithful approach to action with the purpose of all good to everyone, which really succeeds in yielding maximum results with minimum effort.
I'll tell you one thing, and this is banal to say because it just makes it sound like it's all planned, and nothing is planned at all. But one link is with The Deep End, and one link is that I'm making a film later on that revolves around the relationship between an innocent party and a dead body.
I'd really rather leave it to others to say what they see in it and to see if I've put something into my photographs beyond a mere recording. Yes, I've chosen the camera position, how I'm going to print the negative, the angel of the lens, what I'm going to include and exclude in the composition, so on and so forth. But, I'm still photographing a work of art, and I would rather leave it to others to comment on my work, as I just left it to you.
I got a job in the tear-sheets department, ripping up magazines like People, Fortune, Sports Illustrated, and Time, and delivering the editorial pages.... So I began to use a camera to make fake photographs of the ads. By re-photographing a magazine page and then developing the film in a cheap lab, the photos came out very strange.
The purpose of photography is the transmission of a visualized sector of life through the medium of the camera into a mental process that starts with the photographer's thinking about the subject he photographs and is continued in the mind of the spectator.
Tracy and I were pretty good friends before '30 Rock.' The chemistry you see on camera - that's what it is. What you see on camera - that's just friends, so that's why it comes across so well on TV.
Photographing friends means that there's a spontaneity to the images. I have a lot of love for my friends and family, and I love taking cool pictures of them.
I hate having my photograph taken and I try to keep that in mind when I'm photographing other people. But the best photos that I've taken are the ones when people have forgotten that I'm there. If I'm in a recording studio with a musician, for example, maybe I'm not photographing them in the middle of a take but I can just get that stolen moment of them resting and they glance over to me.
People aren’t photographing for history any more. It’s for immediate gratification. If you’re photographing to share an image, you’re not photographing to keep it.
There are many images which I miss on purpose. I've done too many of them before and photographing them again doesn't change the world, or me.
The less friendly your relationship is on camera, the more useful it is to be friends with them off camera.
I never planned on being an actress, just as I never planned on being a model. I went to law and international-relations school. It wasn't my direction. It kind of happened to me. And because it wasn't my dream when I started, I wasn't starstruck.
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