A Quote by Larry Clark

I've been a photographer for my whole life and I've done everything with photography that I felt I could do, and I always wanted to be a filmmaker. — © Larry Clark
I've been a photographer for my whole life and I've done everything with photography that I felt I could do, and I always wanted to be a filmmaker.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
To us, the difference between the #? photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #? photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
I always felt that I hadn't achieved what I wanted to achieve. I always felt I could get better. That's the whole incentive.
Photography for me has been tremendously good, because I'm not a very sociable person. I'm happy reading or sitting in the library or going for walks. So photography has brought me in contact with people and made me understand people in a way that I probably wouldn't have done if I hadn't been a photographer. And so I'm grateful for that, really.
I was writing when I was very young, and then I became interested in everything - I wanted to do photography. I wanted to act. I wanted to write plays, and then I wanted to film and to paint, but I felt that film had a condition that reunites everything.
If I was a young man, I might have bypassed the whole comedian-actor thing and just been a filmmaker. Then I'd probably have spent my whole life going, 'I wonder if I could have been a comedian.'
What I love about how my career has gone up to this point is that I've always, always put my head down on my pillow at night, and I've been able to say that I've done, honestly, what I've felt like I wanted to do. And that's really all you can hope for in everything you do.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
[Photography] underlines the photographer. That's the Barthesian this has been. Well, this has been for the photographer as well. The photographer is the hidden placeholder in the Barthesian equation.
I've done my own videos, I do my own styling, so I feel like I've just always been a visual artist... I was one of those kids who wanted to make my own clothes and take pictures of everything. Everything inspired me, and everything felt like art around me.
No individual photo explains anything. That's what makes photography such a wonderful and problematic medium. It is the photographer's job to get this medium to say what you need it to say. Because photography has a certain verisimilitude, it has gained a currency as truthful - but photographs have always been convincing lies.
In my whole life, when I've watched TV and movies, I've almost always felt, 'I could do that better,' and I thought everyone felt that way.
[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer.
I have always felt that I have observed life in a different way to others... Music has always been one creative outlet for me, but now I'm happy to add another one too, that being photography
What's happened is that the digital age has made photography more accessible to people. Everyone is a photographer. But to do it [photography] at a certain level, well, there's a skill to it. Still, it's a good time for photography now.
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