A Quote by Larry Clark
I think the reason why I never wanted to do a retrospective is because I was scared to go back and look at all this stuff through the years.
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I think it's pretty classic if you look at the way entertainment reflects the country's status. There was a reason in the '50s when communism was bubbling that there were a million zombie movies. Because that is the direct allocation. So for the last two years we've been hearing, "Make America great again." People go, "Well, America was never great." What do you mean? What you mean is that they want to look back in history. And so I think it's only natural for entertainment to reflect that.
I think they were scared of me because I was different. I've always asked, 'Why? Why do I have to do that? Why do I have to look this way? Why do I have to dress this way? Why do I have to behave this way?'
I feel most badly, though, [because] after 10 years, I was at the company, I wanted to go back to New York where I was from. Why I didn’t go to Steve Jobs and say, ‘Steve, let’s figure out how you can come back and lead your company.’ I didn’t do that, it was a terrible mistake on my part. I can’t figure out why I didn’t have the wisdom to do that. But I didn’t. And as life has it, shortly after that, I was fired.
I look at some of my early stuff - back when I was 12 or 13 years old - and I was already doing cross-hatching back then. I don't know where I picked that up. I think I was in a hurry, and I wanted to shade something really fast, and I tried cross-hatching a shadow.
Remember with your heart. Go back, go back and go back. The skies of this world were always meant to have dragons. When they are not here, humans miss them. Some never think of them, of course. But some children, from the time they are small, they look up at the blue summer sky and watch for something that never comes. Because they know. Something that was supposed to be there faded and vanished. Something that we must bring back, you and I.
I never in a million years thought I would be starring in Hairspray, ever. Because if you think about my past, it's been 30 years of playing a macho leading man, so when I was offered it, I said: "Why? Why me? What have I done to deserve that you think I should do this?" After much convincing, over a year and two months, I was convinced they wanted to make a great movie.
I was never really certain why he scared the bejesus out of me. Nothing scared me growing up. I’ve been playing with dead people since the day I was born, so it’s good thing, yet the Big Bad scared me. Which brings me to the reason I called.” “Which was to give me nightmares for the rest of my life?” “Oh, no, that’s just a plus. Why was I so scared of him?” “Hon, for one thing he was this powerful, massive, black smokelike being.” “So, you’re saying I’m a racist?
Like, I don't do drills at all. I think that's why a lot of people who handle the basketball, I think mine looks different. You know, 'cause I've never done a drill. I've never done 'get to a chair and go through your legs,' or 'get to a spot and a cone and go through your legs or behind your back.'
I think I could look back through the past few years at missed opportunities and stuff, but one thing I have learned is not to dwell on missed chances or times where you have failed.
I've been asked to do a retrospective since I was about 28 and I always thought that was a bit odd. It's great to look forward as an artist because in the future the possibilities are infinite; you look back and it's all fixed so it's a scary thing.
My relationship with my mom is so amazing. We never got to have that stage that people go through, like when you're 13 and you think you're too cool for your parents. When you're embarrassed by them and stuff. We never went through that because I was constantly working and she constantly had to be there.
I never in my career did appearances, like where you go and sign autographs, and you do the comic-cons and all of that stuff, because I wanted, when I stopped wrestling, to go and do that stuff and have it really mean something to somebody, that it hadn't been watered down.
Everyone's scared. So scared they can't sleep sometimes. Or eat. Or keep their weight on." "Then why bother playing?" I asked. It was a whisper, this question. "Because. You love the game. You love the people you play with. You love winning, maybe. You love that one moment when you get it right . . . I dunno. Why do you play?" "Because," I whispered, "it's who I am." Sounds like a good reason to me.
I've always been interested in people that you wouldn't see otherwise. If you look back at my books, photographs, and films-and since I'm doing this retrospective I've been forced to look back-the work is always about a small group of people who are somewhat isolated, and who you would never see if I didn't film or photograph them.
I think the reason why I have so many movies to my credit is that I never say no to any project, I never veto anything. I sort of challenge myself to do stuff, even if it's something that I've never done before.
I originally wanted to be an astronaut when I was a kid. Then I had this huge fear of black holes because my brother learned a bunch of stuff about it, and he's like, 'Oh, yeah, if you go into one you're never coming back.'
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