A Quote by Larry David

And eventually as I kept writing it, something emerged that was not quite me but a version of me. — © Larry David
And eventually as I kept writing it, something emerged that was not quite me but a version of me.
When I was ten, my mother told me to write down my feelings. I eventually started writing a book. I wish I'd kept the handwritten text. I recall some of the story, but it was a start into the world of writing.
All my writing-life people kept telling me that I should stop writing short stories and start writing novels: my agent, my Israeli publisher, my foreign ones, my bank manager - they all felt and keep feeling that I'm doing something wrong here.
I didn't marry. I didn't have children. I followed the food supply for jobs. I kept writing at night. And that kept me moving. It kept my life disruptive. It broke up many relationships. Was it worth it? Yes.
I started in dance classes when I was, like, seven years old. And the arts in general, it kept me not only off the street, I grew up in South Central Los Angeles, so it kept my mind focused. It kept me passionate about something. So I wasn't easily distracted.
Still, I kept writing. I had no guarantee that I would someday win awards for writing. Heavens, the only person during that time who seemed to think I could write something worth publishing was my loyal husband. But I always remembered the professor from graduate school who urged me to write and who recommended me for that first writing assignment in 1964. When I protested to Sara Little that I didn't want to add another mediocre writer to the world, she gently reminded me that if I didn't dare mediocrity, I would never write anything at all.
My first drafts are always terrible, and I hate them, but the process for me is all about writing the bad version until it tells you what the good version is. And then you write that.
I owe much of my success to Seann Walsh. He kept recommending me for Live At The Apollo until eventually the producers offered me a gig.
In the dead silence, all the details suddenly fell into place for me with a burst of intuition. Something Edward didn't want me to know. Something that Jacob wouldn't have kept from me.... It was never going to end, was it?
I kept writing all these ballads; they're me speaking about life. But how am I gonna do the live show I wanna do if I don't have something I can dance to?
Boxing kept me out of the streets, by giving me something to do. And it gave me a father figure in the coach that was there for me. I just reiterated what my mother was trying to teach me about focusing and getting my life together.
I never quite know when I'm not writing. Sometimes my wife comes up to me at a party and says, "Dammit, Thurber, stop writing." She usually catches me in the middle of a paragraph.
I've never been that uncomfortable talking about it. Things come out [in the media] about me. When it's out, it's someone else's version of what's the matter with me. I want it to be my version of what it is. My recourse is to do my version.
Nothing wrong with making money or doing what you need to do to sell, but I think it shows when you're writing something to pay the bills and when you're writing something because it's really your version of the world.
Being teased and losing my self value eventually ended up inspiring me to be a better version of myself.
I started writing sketches with Dennis Kelly, who I ended up writing 'Pulling' with. We entered a BBC competition and did quite well, then started writing bits for other people's shows. You wheedle your way in, write pilots and eventually you end up writing a sitcom.
I set up this little office space with a piano in it and I thought that would be quite a novel way of writing the album, to make it like a job - a romanticised version of the 9 to 5. I think that was probably my favourite time. I made sure I walked there every day, which took me about an hour.
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