A Quote by Larry David

When I was living in New York and didn't have a penny to my name, I would walk around the streets and occasionally I would see an alcove or something. And I'd think, that'll be good, that'll be a good spot for me when I'm homeless.
I had this temp receptionist job in New York, and I kind of hated it, and in the morning I would come out of the subway and just walk along the New York streets with all these people around me and kind of sing to myself. Like, 'She's gonna make it!'
New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
As an adult, I think I wanna be living in New York City and help a lot of homeless people and try to become vegan and maybe be a band with some good friends and be making a living and be happy with how much money I have.
I would walk around in all these cities we lived in because my dad would move around so much. I would just walk the streets with a ball in my hand, and my mom holding my other handing waiting to find a hoop to play in. That was my first love of basketball.
I think the silence would be good with me, and not interacting with people would be okay. But not being able to move outside of the space would be hard. Not being able to walk around - the stillness of my body, physically - that would be the challenge.
You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
You could walk the streets, no matter how hungry people were, not matter how long theyd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
I found L.A. much less responsive to the name Juilliard than New York was. In New York, that name actually means something. People will look up from their desks when you walk in. In L.A. it's, 'Oh yeah, that's a music school. What do you play?'
Before my commercial career, I never played for more than an audience of 99 seats somewhere in downtown New York, but occasionally someone would recognize me in the subway and say, "Oh, I saw you in that play, you were really great in that," or "the director was really something." It becomes a conversation. When people spot me on the street from my work in commercials, there's nowhere for the conversation to go. Obviously I'm an actor and I can't.
When I was living in California, I would ride my bike and see homeless people pushing their grocery carts with all their belongings, and it really upset me. I always said if I had a bigger soapbox, I would do something. And I thought the best way was to cook food - I'm Italian.
I am a one-trick pony. But I have worked hard at something I would have liked to do even if I weren't paid a penny for it, and made a good living at it. You can't be luckier than that in this life, no matter who you are or what you do.
I walked the streets of New York; I would feel the presence of Daredevil. I would see him up on the rooftop. What you are doing in your life, you start to see in your book. It all starts to merge together.
I'll just walk around New York and watch people on the streets.
I see a New York where there is no barrier to the God-given potential of every New Yorker. I see a New York where everyone who wants a good job can find one. I see a New York where the people can believe in a grounded government again.
I've kind of always had this soft spot in my heart for the homeless community, mainly homeless kids who live on the streets.
As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?
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