A Quote by Larry David

I'm really only happy when I'm on stage. I just feed off the energy of the audience. That's what I'm all about - people and laughter. — © Larry David
I'm really only happy when I'm on stage. I just feed off the energy of the audience. That's what I'm all about - people and laughter.
When I'm on stage, I turn into this rock person. I give everything I have. I sing with emotion, I'm loving it up there, and I think there's a lot of energy. In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience too, so they're feeling what I'm feeling. And the set up is great - I have two drummers and a bass guy so it's just us four.
I just feed off the energy of the audience.
On stage I try to be as spontaneous as possible, feeding off the energy of the audience. I just let myself be and have fun on stage.
In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience, too, so they're feeling what I'm feeling.
I love energy, I love to give people energy, I love to feed off energy - it makes me happy.
I feed off the audience a lot, their energy.
When the energy is really high, I feed off it. Those are the nights where I really take a left turn and we just go.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
When you're doing comedy on stage, it's great because you have the audience there and they're like another actor in the scene. You feed off of them, laugh. But in film when everyone's quiet, it's all about timing. But the key to that is to be authentic. Be in the moment, and if you play the moment truthfully, the humor will be there.
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
Having an audience is almost like plugging me into an electrical outlet. People feed me so much of their energy. We have a great time. It's all about the fellowship.
Sometimes, with two strikes and two outs, I step off the mound. People are yelling, they're yelling really loud. I step off because I want to feel it. You've got all that adrenaline going, you've got that rush. People think I'm thinking about something, but I'm just trying to listen to everyone and feed off it.
While it is possible to create all your own energy, most people feed off the energy of others. If you could see on multiple planes of attention you would be astonished!
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the character's face really helps get the message across. On stage, you can't do that. But the stage has that live feeling that you can't get anywhere else because the audience is right there.
I think as a performer, it can be really great to stand on stage, especially when you have more time, but I do think about the specific people in the audience, how it's hard for them to get up and go to the bathroom, how they chose not to do other things that night and have turned off their phones and everything. So for that reason, I think it's necessary to mix it up and talk to the audience.
I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him.
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