A Quote by Larry David
If I was going onstage, of course I would talk about it. How could I not?
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What could be nicer than to have three horrible children behind you in an airplane, and the next set, you go onstage and you talk about how much you despise the children and what you would like to do to them on an airplane? That's the only time I would gladly take a terrorist on. It'd be worth it to get rid of these children.
People that are 40, they don't sit around at talk about gray hair and how it covers their hair. They talk about highlighting, of course they're covering gray, but they don't talk about it that way. They're going to get their colors because they need a little lightening.
When I talk about how we're going to pay for education, how we're going to invest in infrastructure, how we're going to get the cost of prescription drugs down, and a lot of the other issues that people talk to me about all the time, I've made it very clear we are going where the money is. We are going to ask the wealthy and corporations to pay their fair share.
This is going to sound cliché perhaps, but I would say to not second-guess yourself. It's difficult to talk about because gender does play into directing, of course, but it's very hard to talk about. Maybe the worst part is what you internalize.
Do the other kids make fun of you? For how you talk?' 'Sometimes.' 'So why don't you do something about it? You could learn to talk differently, you know.' But this is my voice. How would you be able to tell when I was talking?
My father could talk about the Romany way of life and its culture. He could talk about freedom and the Scottish spirit. But that was all he could talk about. I was desperate for someone to talk to but there was just nobody there.
Every time I see a film or TV show, I think about how that composer made those choices and how that director envisioned music and how that could work onstage or in a film and how you could support that even further by putting lyrics to it.
Doing fine, thank you, I would say, never knowing how to talk about what I do. If I could talk about it, I would not have to do it. I make art, sometimes I make true art, and sometimes it fills the empty places in my heart. Some of them. Not all.
In 1986, Gloria Steinem wrote that if men got periods, they 'would brag about how long and how much': that boys would talk about their menstruation as the beginning of their manhood, that there would be 'gifts, religious ceremonies' and sanitary supplies would be 'federally funded and free'. I could live without the menstrual bragging - though mine is particularly impressive - and ceremonial parties, but seriously: Why aren't tampons free?
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
"Don't talk about enlightenment," Buddha would say. He was saying don't talk about the nagual. He'd talk about how to get to it.
I think that's a challenge as believers - how do you demonstrate the gospel? How do you do that? I mean it's easy to talk about it and say 'Oh this is what we are supposed to be doing' and this is the relevance. But how do you do that with your hands instead of your mouth? How do you do it every day, instead of just onstage, how is it enacted? And I feel like that is one of the ways that we can show what we believe, by how we treat people around the world.
I hired a publicist once I got cast in 'Passing Strange,' and one of the first conversations we had was about how I wanted to handle talking about my sexuality. I said, 'It's never been an issue for me. I want to talk about my work, but if something about myself relates to my work, of course I'll talk about it.'
Every now and then, when I think about it, I think, 'What would I even talk about onstage?' It's never been, 'I wonder if I'm funny. I wonder if I can come up with jokes.' It's more, 'What would it be like without the leather suit and the anger?'
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
I think I would like to go into modelling. Of course, I don't know how to do it, and wouldn't be any good at it if I did, so I'm going to employ someone to walk the catwalks on my behalf. It would still be me, of course.
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