A Quote by Larry Fessenden

When so much is left to the listener's imagination, it is bound to be more scary. But our stories are not just to frighten; they are engaged with the things that are really scary like loneliness and madness.
This is how I feel about horror films: there's enough scary things that happen in day-to-day life. Sometimes just going and getting the mail is scary, when you open your bills. And so, sometimes I feel like scary movies are just tapping into those anxieties and magnifying them.
Radical innovation is difficult to fund. It seems scary. And the really radical things seem even more scary.
I've seen a lot of movies that were great and scary, but not particularly fancy in their filmmaking or performance. And they're still scary, and I think a good horror movie should be scary above all things.
Scary is time passing and sickness and dying and regret and isolation and loneliness and relationship problems - as opposed to a guy in a hockey mask, which didn't seem that scary.
I really respond to human scripts, scripts that are raw and real and risky. I love playing scary characters - not horror film scary, but vulnerable scary.
I think zombies are the great analogy for all of our fears about all of the scary things that happen on our planet, and the potential for scariness on our planet. Being chased by anyone or anything can be scary. It is just a big, fun analogy.
Boys, particularly, like stories where they can have images in their imagination, where they can go to scary places and experiment with what can happen.
I feel like I've always had two selves - the part of me that makes films and the part of me that's political, and they haven't really connected that much. Alias Grace talks about things like class and immigration and women's rights, which felt really good. But especially now, there are pressing things to be said. It's a really scary time in the world. It's a very scary thing to have an American president who openly brags about assaulting women and is openly racist. This isn't a moment to be speaking in metaphors.
What is scary to me is silly to somebody else. CG isn't scary to me. It's like comedy - comedy and horror are quite similar, in that there'll always be somebody who'll say, 'I don't think that was funny.' And it's the same with things that are meant to be scary.
The idea we have of prison is a scary place that also houses crazy people. And, to me, it was like, none of these guys were scary. They may have done things that are violent or scary, but these are not people that I feel nervous being around, and it feels like to me that we're wasting these men's lives in prison.
I don't like to get scared - it's not one of the emotions I enjoy. So I have to assume that if there are scary things in my books, they aren't very scary.
Monsters can be scary, and they're great, but they're only really scary when they're reflections of us and they show you the things you're scared of might be true about your own nature.
My anxiety about disasters is lower. The more you know, the less scary any of this stuff is. And that's my hope for the book. I want to get people's attention and tell them very valuable and ultimately hopeful information, and you find out nothing is as scary as your imagination.
Curtis Blaydes' ground and pound is really scary. Like, really, really scary.
I have mostly been terrified of listening to scary stories around a campfire. We camp a lot as a family, and at night my dad would try and tell us scary stories. This made eating s'mores difficult. The story would start with something like... 'and the old man who lived in these woods...' I would then run back into the camper terrified.
It's hard to give up that amount of control. It's scary to make yourself that vulnerable. Because you might do all kinds of things that are unplanned or are unexpected that maybe don't work, and you have to trust the director to see that and work around those things. I find it really scary.
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