A Quote by Larry Fessenden
There are scripts that have come our way that are much more likely to be hits, but we don't really think that way.
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When I'm playing comedy, I never do 'jokes.' Sometimes I'll deliver a line in a way I think is more likely to get a laugh, but all the best comedy is played straight. What's funny is the way it hits the world around it or the way it hits the other characters.
People are much more likely to act their way into a new way of thinking, than think their way into a new way of acting.
Well, there isn't any one profile of a survivor, but there are profiles. Depending on the disaster you have certain advantages and disadvantages just based on who you are. Women are more likely to survive hurricanes. In hurricanes the deaths come from floods and people driving through high water. That's much more likely to be a man who dies that way.
I tell [scriptwriters] I think [their scripts] has too many stereotypes, that even the way they come in and out of Spanish doesn't really make sense, it feels forced.
History shows that our way of life is the stronger way. From it has come more wealth, more industry, more happiness, more human enlightenment than from any other way.
In a way I think Bill Clinton is more likely to forgive and move on or at least try to woo people who don't love him. But he never really tried to woo the press as much as he might have.
I think that's why they're so really - here's the disconnect. It's sort of this odd and I've always had this problem with the rationality of it. That the President [George W.Bush] says, "We are in the fight for a way of life. This is the greatest battle of our generation, and of the generations to come. "And, so what I'm going to do is you know, Iraq has to be won, or our way of life ends, and our children and our children's children all suffer. So, what I'm gonna do is send 10,000 more troops to Baghdad."
I don't really want to just play the girlfriend or the love interest. I get so many scripts like that, and - not to moan, because I'm really fortunate - but I just look at those scripts, and my heart sinks a little bit because I think there's so much more to us than that.
When we talk about authoritarianism, we conjure up out-of-date visions from the 1930s. But we are no more likely to do authoritarian government the way they did in the 1930s then we're likely to address or talk or do any of our other business in the way they did it in the 1930s.
Playing catch is often the first professional act of the day, it's a transition from personal life to team business. Lastly, as all position players think they can pitch, at least half of us are working on our off-speed stuff likely at the detriment of our elbows and shoulders, but we can't help it. It's too much fun. My changeup has come a long way since high school.
I think that's given inspiration to other musicians. I know, particularly through the 90s, a lot of bands would cite Rush as an influence. I don't think it was so much our music, but more the way we really stuck to our guns.
I hadn't done comedy before 'Fresh Meat' - I hadn't really been seen that way, and then 'Fresh Meat' came out, and suddenly a lot more comedy scripts were coming my way, which was really great.
I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it's a nice way to neutralize that polarization.
If you have a friend, what's the best way you can experience her beauty? It's to really accept her. She's weird in this way, I accept it. She's hard to talk to, I accept it. Then that person eventually will come all the way out into the sun. I think it's the same way with our talent. We say, "Look, I'm not going to judge you. I'm going to try to use you in the very best way."
Look what we are trying. You call it dharma, but it is not. What we are trying is to come together; come together to an understanding. The difference is, the discipline is, the commitment is that we are going to come together with the following guiding lines: 'May the long time sun shine upon you, all love surround you, and the pure light within you guide your way on.' When we came together we decided we would guide our way on. My way and your way we already know, so we do not need to learn that. Each one of you knows 'my' way and 'your' way. All we have to learn is 'our' way."
I think on our first two movies we weren't really writing for anybody else above us and that's not to say that movies aren't ours in the way we want them to be in terms of the scripts.
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