A Quote by Larry Gatlin

Nashville will never be the same. — © Larry Gatlin
Nashville will never be the same.

Quote Topics

My album was recorded in Nashville. It used to be all about "We're from Texas, forget Nashville," well you'll never hear me say that. Nashville isn't bad as long as you're true to yourself.
Recording in Nashville was absolutely essential to get the sound, the musicians, the atmosphere, the warmth... There are just cult places like that in the world, like Chicago for the blues or New York for jazz. Nothing sounds the same in Nashville as it does elsewhere. Nashville is the Mecca of country music and everyone knows it.
I didn't come to Nashville to put on a cowboy hat and pretend to be a country singer. My attraction to Nashville as Music City is the variety and flexibility: the fact that there's so many musicians at your disposal, so many amazing studios and talented people that you can draw from. ... I try to be myself, but at the same time I'm learning a lot, and I'm pulling from not only from the well of inspiration that I'm getting from Nashville, but I'm pulling from my roots.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.
I think all of us would agree that a lot of Christian radio sounds the same. A lot of music that comes out of Nashville kind of has a little bit of the same vibe. Because I don't live in Nashville, I surround myself with a culture and an influence that's outside that bubble. So when the church hears it, it's refreshing, and when the world hears it, it sounds like something they want to listen to.
I see interracial couples all the time in Nashville. I'm a Jew in Nashville. I'm a gay person in Nashville. It's a non-issue in most of the time. That's a huge leap forward.
I will never have a photograph of her to carry around in my pocket. I will never have a letter in her handwriting, or a scrap-book of everything we've done. I will never share an apartment with her in the city. I will never know if we are listening to the same song at the same time. We will not grow old together. I will not be the person she calls when she's in trouble. She will not be the person I call when I have stories to tell. I will never be able to keep anything she's given to me.
I had never heard much about Nashville before coming out here, and that's why it's so surprising, because I'm the biggest enthusiast on the city of Nashville now. I'm looking for a place out here to live.
It's something that Cory Morrow said to me a long time ago - "Don't ever forget why Nashville is Nashville. The Opry is there for a reason. Country music lives there. Don't be bitter. And don't ever treat Texas or Nashville like either one isn't important."
I never have more than one bag at a time. I think one is already quite enough. Also, I hate changing bags, so I never have the thing of having ten bags. Any bag that's with me will take the same course as I will. It will take the same airplanes and will be squashed in the same way and will be used as a cushion in the airports.
I was interviewed for a Grammy television show, and they asked me about Nashville, and I talked for three minutes and when I finished, I was teared up. The whole room was crying. Nashville has given me a home, where I never had a home before.
As far as in my adult life, it kinda started (with) writing first 'cause I went to school in Nashville. I mean, not Nashville but close to Nashville, and I met my managers in L.A. at a convention randomly. And then, it kinda just started from there. And then, I got my publishing deal.
Well, I dare not allow myself any illusions, and I am afraid it may never happen that Father and Mother will really appreciate my art. It is not their fault; we do not see the same things with the same eyes, or have the same thoughts raised in us by them. They will never be able to understand what painting is.
My publishing deal is out of Nashville, my management is split between Nashville and Texas, but we are also getting to play eight other states as well as Canada and Europe this year. I don't want to pigeon-hole myself. When people ask me if I'm Texas or Nashville, I tell them I am just Cody Johnson.
I think about me and my dad taking a road trip from Phoenix to Nashville when I was 19. He's no longer here with me, but I still drive that same 1994 Chevy truck. I never have bought a new car.
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