A Quote by Larry Gelbart
I don't think you can name a good picture where the production or the possible promotion isn't "cast-contingent." That means the film needs not just star power but star box office power.
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I don't think a film has ever worked at the box office because of a star.
In Hollywood, story content of movies follows a hierarchy of power, not the relative quality of various ideas. Hollywood does not lack for quality writing. It's just that quality writing commonly has to be sacrificed in order to propel a film into production. A studio needs a star and a director to make a film, so those are the folk who'll define the content. If they don't have the same creative sensibilities, then the content will change.
I never thought of myself as any kind of a film star, as many films as I've made - and I've made some really fun movies with good people. I've always been paired with someone because I'm not really box office, in that carrying-a-picture sense. I've always been busy, but not in the spotlight.
You know when there's a star, like in show business, the star has her name in lights on the marquee! Right? And the star gets themoney because the people come to see the star, right? Well, I'm the star, and all of you are in the chorus.
My introduction into the film industry happened with 'Masaan,' which was a multi-star cast film. I was just a part of the film.
I was the first wrestler ever in the history of wrestling to star in a major motion studio picture that became #1 box office of the weekend, and that gave the itch to I don't know how many wrestlers.
If becoming a big star means doing a film that I can't watch with my daughter, I don't want to become that star.
A film star is a film star, and you can't take that away. Hence, I don't think about money when I do films, but I will do it for TV like the way I do it for endorsements.
East Hampton happens to have been the first place in the world where I was a star, a real star with a star pasted above my name on the dressing-room door.
Star cast is very important, for the songs to fly again. You need someone like a Shah Rukh Khan or a Salman Khan, a big star in the film. They will make sure that the song is taken to a different level.
This entire cast, N.W.A, was an all-star group, and I really feel like people are going to look at 'Straight Outta Compton' years from now like this was an all-star cast.
If the film is good, it will work whether it has a star or no star.
I was brought to Hollywood by Gene Roddenberry and Michael Eisner, chosen from 600 hopefuls to star in the original 'Star Trek' motion picture. The success of the film, coupled with the allure that I had shaved my head for the role, put a spotlight on me.
I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.
Every star, whether it's Harrison Ford or Robert De Niro, is remembered by one film. Persis is a star in the sky - how can a star be forgotten when all you have to do is look up and see her?
If you think of the 1930s in film as the decade of Gable and Lombard, Cagney and Harlow, Stanwyck and the Marx Brothers, think again. The biggest star - No. 1 in the 1936, '37 and '38 exhibitor polls - was a three-time box-office champ before she was 10. Shirley Temple, singer, dancer, and prime exemplar of Movie Cute, owned the '30s.
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