A Quote by Larry Hagman
I think they could of recast the children, I heard of people wanting to do something like that. That would be a nice little show to do but you know that show was of the 80's, I don't think the audience mind set is in that direction any longer.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
'Pretty Little Liars,' you know, it's a teen show that grew to be something bigger. I think you had girls from ages 7 to, like, 20 watching the show, and that was the predominant audience. Then it grew to be for girls, boys, men, women, people who are 7 to 35. I think that's crazy.
I think my children are definitely musically inclined, and they show it, and they're exposed to a lot of it. And they're their own people, and I think easily they could do something musical, or they could do something in acting or film or other types of the arts, and I would fully support it.
MacGyver of course, that's probably my favorite show of all time, because it was a guy who was so, so smart and could use his wits, and his technical know-how could get him out of any situation. There's something about the adventurer aspect of that show that I loved, that he went on all these great missions and saved people without having to use guns or anything like that. And I think that show might even be coming back, too.
When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'
When we are children, people show us so many things that we lose the profound sense of seeing... And just how could adults show us the world they have lost! They know; they think they know; they say they know.
I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.
I would love to be on a really good show and share all the stuff that goes into creating a big TV show and get my audience into it. I think that makes it personal and makes the audience feel like they're a part of it.
There's something about that idea of looking up and hoping, and thinking, 'I'm good.' Some things, like show business, are absolutely subjective. People look at a TV show and think, 'I could do that.' And maybe they could do that. But they're not.
People are gonna think that MTV censored me, and they really didn't. I really wanted to try to make a show that didn't rely on offensive, edgy material because I think it was an exercise in trying to write without that. Because I see that as a crutch sometimes and I want to know that I can do something funny and worthwhile without that. And also make a show that my parents would like and that kids could watch with their parents.
I don't know if I'm embarrassed because I think it's a funny show, but I could imagine there being a snootiness about it, but I do find 'The Big Bang Theory' very funny. I think that's a good show. I think it's fun, I like the actors; I think they're all doing a great job.
I don't believe, in a show like ours, that you really want to see character growth. That's just my opinion. Maybe to a small degree, but nothing serious. To that end, it doesn't have the same importance that it would have, if you were on an hour-long show. I think an audience gets really hungry for a character to grow and change on an hour-long show, and I think I would be more antsy.
It's a combination, I think they want to know - it's for every show, which is I think networks want to know that you have a vision for where the show could go to make sure that it really is a show, that it's not just a one-off forty minute pilot, that it's an actual series.
Ratings experts say the best way to get people to watch during sweeps is to leave the audience with a question that won't be answered until the next time the show is on. You know, like Who shot J.R.? I like to think I do this every night - the question is, Is this show still on?
I think it's important for me, for my crew and for the audience to bring something new to each show. I have friends who have done the same act, word for word for word, for 20 years. I have a problem with that. I think the audience should see something new in each show.
And with this show we're trying to be a little sillier. We can do a piece like one we wrote the other day called "Ghost Busters Busters". Where would never do that in a million years on Mr. Show, but somehow on this show it's silly and stupid and a little more disposable, so we can do something like that.
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