A Quote by Larry Hagman
I was shot when I think it was number one. That was the catalyst for the interest in the show. Certainly it went on for a long time after that but that's what really kicked it off. Of course a lot of people watched it just because of the novelty of the situation.
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After college, I really looked at every single shot that I shot. Pretty much every shot in my sophomore year and my junior year and just watched my form. I watched how I shot it from 3, and I just noticed I was a very undisciplined shooter.
I lot of people remember when that kid spray-painted my brand new Porsche for Punk'd. That was pretty funny. He got me pretty good. Of course, most people don't know I eventually got him back with my own show. I call it a show, really it's just an hour-long video shot in my bedroom featuring the two of us.
A lot of guys get slammed pretty hard. I do think there's a tendency with women performers to just sort of write them off. The "Flavor of the Month" kind of thing. Or as a novelty, because I do think women in bands are still considered a novelty, or a little confection.
I think the tone of the show has certainly changed over the years, because it's really, really hard to do something different when you have a show going on as long as this has.
When you're young, and you have long hair, it's just really long hair. And then you get to a certain point where you start to look after it, and then people will tell you that you have to cut a little bit off so it grows quicker. And it just doesn't. It just has more cut off. And I think I just got really annoyed with it.
Television used to be made much more in a vacuum; the only feedback the audience had for a long time was in a Nielsen number that would arrive sometime after the show had been broadcast. And now, people are just completely engaged on so many levels, and I think that you have to find a way as a show creator to follow your own compass.
Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of "phonies" in all the arts.
I think a lot of people think because I was getting the divorce, that was really the catalyst for gaining so much weight.
I know a lot of people who say, "I reluctantly watched the first episode because I don't really like zombies and that stuff, but I was pleasantly surprised by the characters and the drama of it all." I think that's what keeps people coming back and brings new watchers to the show. What the show does is cross many, many different viewerships.
When we came to the network, it was a very interesting time where Portlandia had just come on the air and had been very, very successful. I think people had Portlandia-sized expectations for Comedy Bang! Bang!, especially after the first episode was sampled by quite a large number of people. I remember getting the ratings after the first episode, and the network was over the moon about it. And then the second episode tanked so hard. Like, no one watched it. It was a resounding, "Hey, a bunch of people tried your show, and they all hate it!"
I didn't want to take the typical action roles that everybody was expecting me to take, because I was going to get typecast as that guy, the action guy who didn't have anything really bright to say and who just kicked in doors and punched people in the face and shot people and drove off in a cool car. I didn't want to be that guy.
Yes," he said. "I am sure. I double-checked everything after you went home yesterday. I even made a few improvements, just in case." The first part of that reassured her. The second part... not so much. "What kind of improvements?" "Oh, nothing, really. Mostly just streamlining. You really did very well; I certainly don't want you to think that I am one of those people who has to be in control all the- Oh, well, I suppose that's actually true- I do have to be in control all the time. But only because I am in charge, of course.
Of course, when you're doing something that's unexpected, people are going to have a very specific point of view about it, but I think it's all good to have a healthy debate about who Hitchcock was and what that means to people. He means a lot of different things to a lot of different people because the films are so great. If the movies were not great, no one would be bothering to show any interest.
Also, when we did "Smallville," we didn't have an opportunity to interact with people who watched the show. And see what they had to say and listen to criticism and listen to praise at the same time. So a lot of this is a new experience and it's very interesting and rewarding for us. I think we get honest feedback. You get hate. You get a lot of love as well. And I'm actually very curious what people think of the show. For us, it's been a passion project of ours, and an incredibly challenging show to make.
MacGyver of course, that's probably my favorite show of all time, because it was a guy who was so, so smart and could use his wits, and his technical know-how could get him out of any situation. There's something about the adventurer aspect of that show that I loved, that he went on all these great missions and saved people without having to use guns or anything like that. And I think that show might even be coming back, too.
When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.
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