A Quote by Larry Johnson
I thought I was academically prepared for a major college, but I wasn't. Odessa gave me that preparation.
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You have to be simultaneously well-prepared and spontaneous. You don't really know for sure what percentage of the preparation you are going to use, and you don't know exactly where it will apply. So you have to be prepared, but not locked into that preparation.
I thought I was gonna be an attorney, so I went to Dartmouth and I was a government major and I minored in environmental policy, and I didn't do anything academically around the arts.
The freedom I experienced as a dance major in college gave me so much, but the reality of being in school is that you are still forced to work under restrictions.
If I always appear prepared, it is because before entering an undertaking, I have meditated long and have foreseen what might occur. It is not genius which reveals to me suddenly and secretly what I should do in circumstances unexpected by others; it is thought and preparation
A superb and dreadfully moving account of the glory and subsequent murder by the Romanians of the Jewish city in Odessa. . . . Odessa is both celebration and lament and equally impressive as both.
Good preparation is key for me. Nowadays everyone is an actor slash writer, slash this, slash that, its cool; and you can only go so far on pure talent so you also need to know your craft well. I directed tons of shorts in college and acted in a slew of non paying acting work. You just have to be prepared. Period.
I was a Social Science major in college, with an emphasis in secondary education. I took as many courses on the American colonial era and westward expansion as I could. This turned out to be wonderful preparation for writing fantasy novels.
I'm even stunned at some of the majors you can get in college these days. Like you can major in the mating habits of the Australian rabbit bat, major in leisure studies... Okay, get a journalism major. Okay, education major, journalism major. Right. Philosophy major, right. Archeology major. I don't know, whatever it is. Major in ballroom dance, of course. It doesn't replace work. How about a major in film studies? How about a major in black studies? How about a major in women studies? How about a major in home ec? Oops, sorry! No such thing.
The most important steps that I followed were studying math and science in school. I was always interested in physics and astronomy and chemistry and I continued to study those subjects through high school and college on into graduate school. That's what prepared me for being an astronaut; it actually gave me the qualifications to be selected to be an astronaut.
I had this one dear friend in college who was a chain smoker. His smoking habits led him to major health problems. That's the time I remember telling him to let go. And after a point, he did listen to me and gave up smoking.
I entered Harvard in 1965 not really knowing what I wanted to do. This confusion seems to have lost me a fellowship. G. D. Searle and Company, the pharmaceutical firm, had their home office in Skokie, and they gave a fellowship each year to a graduate from my high school that was going to major in science in college.
As a kid, I was overly studious, overly serious, very academically driven. It was important to me on a cellular level to do well. And then I went to college at Harvard, and I relaxed a little bit.
Being in Loyola College exposed me to other options and gave me confidence, apart from the freedom to bunk classes. I became a merchandiser and then a garment manufacturer, and interacting with foreign buyers and manufacturing foreign brands in India gave me a high.
In high school, you at least have to get up at a reasonable hour and show up at places on time. College, on the other hand, gave me the sense that I could complete major assignments at 2 A.M. without suffering any repercussions, along with the erroneous idea that in real life, things started after one in the afternoon.
I asked a director once what the secret of it all was, and he said you have to be so prepared that you are willing to throw all your preparation away in the moment when you see something better. That's a phenomenal piece of advice. It's been my compass through the process of making films. But you can really only do that if you're prepared. You can't wing it.
If this is preparation for life, where in the world, where in the relationship with our colleagues, where in the industrial domain, where ever again, anywhere in life, is a person given this curious sequence of prepared talks and prepared questions, questions to which the answers are known?
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