A Quote by Larry McMurtry

One of the things that Ang brings to all of his projects is his deep sense of being a double exile, an outsider's outsider. — © Larry McMurtry
One of the things that Ang brings to all of his projects is his deep sense of being a double exile, an outsider's outsider.
In a certain sense, a writer is an exile, an outsider, always reporting on things, and it is part of his life to keep on the move. Travel is natural.
The mockery made him feel an outsider; and feeling an outsider he behaved like one, which increased the prejudice against him and intensified the contempt and hostility aroused by his physical defects. Which in turn increased his sense of being alien and alone. A chronic fear of being slighted made him avoid his equals, made him stand, where his inferiors were concerned, self-consciously on his dignity.
If you don't belong somewhere, that outsider status you have gives you perspective. Of course, another word for outsider is 'exile,' and that's not fun at all.
What I was interested in is the lens organizing my sovereign space. I avoid the term outsider and also exile for the same reason. Outsider implies a kind of nobility.
I think there's no question that everything possible is being done to stop Donald Trump and you're seeing a case study in how hard it is to be outsider and the double standard of the national media, particularly if you're a conservative outsider.
The Outsider isn't [Albert] Camus, but in The Outsider there are parts of Camus. There's this impression of exile.
Among tech-minded kids, I think Alan Turing was a tremendous inspiration. He was a guy that was so different than the people around him. He was an outsider in his own time, but because he was an outsider is precisely why he was able to accomplish things nobody thought was possible.
I think being an outsider in general always helps you in comedy. I think it helps to have an outsider's eye. And so I have an outsider's voice. You know, as soon as I start talking, I don't belong here. And I think that helps in a way.
I was an insurgent. I was, you know, an outsider. And I'm not sure that I'm not better being an outsider.
Everybody think they're an outsider - that word's over! When I was young, being an outsider, I thought it was a bad thing you didn't want to be.
I’ve always been a sort of self-imposed outsider, not a geeky outsider or a snobby outsider but, I just have a natural desire to live on the fringe. I’m not like a weirdo with a trench-coat but I just prefer to be alone or minimally surrounded by people.
In so many roles I've played the outsider. As an outsider, you have more energy to succeed simply because you are an outsider. There are scripts floating around but they're not coming my way and I think that I am getting a little bit too old to play Napoleon. But if I was ever offered the role I would grab it.
I look for a thematic idea running through my movies and I see that it's the outsider struggling for recognition. I realize that all my life I've been an outsider, and above all, being lonely but never realizing it.
The outsider is not sure who he is. He has found an “I”, but it is not his true “I”.’ His main business is to find his way back to himself.
America as a setting seems inexhaustibly fascinating to me, and I think there's something about the outsider viewpoint that works for me. Being of Jewish descent in England always carried a vague sense of being foreign, while not being a practicing Jew made it hard to think of myself as fully Jewish either. So living here in a way just clarifies that terminal outsider position - makes it somehow official, which I like.
The feeling of being an outsider was a big part of my childhood. I think that helps comedians. That feeling of being an outsider. That desire for a perspective that's all your own. The idea for me to make stuff myself with my own meaning came from that as well.
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