A Quote by Larry Mullen, Jr.
In the music world, ageism is a big issue. It's about youth and youth culture. There's no other art form that I know that requires you to be a certain age.
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Relevance is a big, big question. It's more about what's your definition of being relevant. In the music world, agism is a big issue. It's about youth and youth culture. There's no other art form that I know that requires you to be a certain age.
People see rock and roll as, as youth culture, and when youth culture becomes monopolised by big business, what are the youth to do? Do you, do you have any idea?
I think we should destroy the bogus capitalist process that is destroying youth culture.
Crabbed age and youth cannot live together; Youth is full of pleasure, age is full of care; Youth like summer morn, age like winter weather; Youth like summer brave, age like winter bare. Youth is full sport, age's breath is short; Youth is nimble, age is lame; Youth is hot and bold, age is weak and cold; Youth is wild, age is tame. Age, I do abhor thee; youth, I do adore thee.
Youth is full of sport, age's breath is short; youth is nimble, age is lame; Youth is hot and bold, age is weak and cold; Youth is wild, and age is tame.
A perpetual conflict with natural desires seems to be the lot of our present state. In youth we require something of the tardiness and frigidity of age; and in age we must labour to recall the fire and impetuosity of youth; in youth we must learn to respect, and in age to enjoy.
In this respect early youth is exactly like old age; it is a time of waiting for a big trip to an unknown destination. The chief difference is that youth waits for the morning limited and age waits for the night train
In this respect early youth is exactly like old age; it is a time of waiting for a big trip to an unknown destination. The chief difference is that youth waits for the morning limited and age waits for the night train.
Youth should be radical. Youth should demand change in the world. Youth should not accept the old order if the world is to move on. But the old orders should not be moved easily - certainly not at the mere whim or behest of youth. There must be clash and if youth hasn't enough force or fervor to produce the clash the world grows stale and stagnant and sour in decay.
I'm a staunch believer in the effect of pop culture - including advertising and the internet - on the young. Pop culture in its narrowest sense - mass-produced film, TV, and music - either truly reflects what's up in youth culture, or it reflects what youth-filled focus groups have told marketing companies that they want to consume.
Being a musician has actually surrounded and immersed me in pop culture and youth culture from a very young age. But even before I was singing in bands and creating any kind of art, I was always fascinated by pop culture.
What an exciting age it is we live in
With all this talk about the hope of youth
And nothing made of youth.
We must know, as much as possible, in our beautiful art...what we are talking about and the only way to know is to have lived and loved and cursed and floundered and enjoyed and suffered. I think I don't regret a single "excess" of my responsive youth I only regret, in my chilled age, certain occasions and possibilities I didn't embrace.
In youth it is the outward aspect of things that most engages us; while in age, thought or reflection is the predominating qualityof the mind. Hence, youth is the time for poetry, and age is more inclined to philosophy. In practical affairs it is the same: a man shapes his resolutions in youth more by the impression that the outward world makes upon him; whereas, when he is old, it is thought that determines his actions.
Appalling numbers of youth have been led into a cynical ultra-sophisticated attitude which regards drinking as a badge of social aptitude, which makes a fetish of sport and professes eroticism as a way of life. A perverted and insane pictorial art, lewd exhibitionistic dancing and jungle music form the spiritual norm of this sector of America's youth.
youth looks at its world and age looks through it; youth must get busy on problems whose outlines stand single and strenuous before it, while age can, with luck, achieve a cosmic private harmony unsuited for action as a rule.
My goal, in general, is to make music for the youth that the youth can love. Not only just for the youth but almost be their voice. Just show that they can do whatever they want.
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