A Quote by Larry Page
We really care about our brand. We really want it to stand for high quality. We want people to be excited about it, for it to be fun.
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What's great about HBO is they just care about quality. They care about the brand. They're not worried about ratings; obviously they want people to buy subscriptions, but they just want people to be into what's on HBO.
I don't have to worry about what people are thinking and what's going on in the industry. I don't want that stuff to influence what I'm doing. Because I think it stifles you creatively. I don't want to have to care too much about that. All I care about is what the fans think. It's really all I care about, honestly.
I want to play some really good, interesting, crazy characters. I want to take some chances. I want to take risks. I want to have fun and just keep working. That's all I really care about.
My first policy move would be to try to get a conversation going in the US about what people stand for and what we really want. Do we want to keep adding people to the world and to our country until we move to a battery-chicken kind of existence and then collapse? Or do we want to think hard about what really is valuable to us, and figure out how many people we can supply that to sustainably?
I want to shake things up, I want people to talk about it. It's really important that our brand flips the industry upside.
I don't usually eulogise about people, but I saw Russell Brand doing stand-up before he was really high profile. I didn't really know what to expect but I laughed until my belly ached.
I really think people are greatly stimulated and enriched by experiencing in film just as we can from novels and other art, experiencing things that resonate with what our lives are about. I think people really want to know... want to share, want to have the stimulus to think and care about the way they live their lives, the way they relate to other people, their aspirations, their hopes, et cetera.
As a producer, I really get to tell stories that I care about in a way that I want to. I get to shape them. I get to choose the collaborators. That's really gratifying as a storyteller. And also, frankly, it's really fun to create jobs for other people.
If you want to stand out, find a way to be either high fidelity or high convenience in whatever you do. If you're halfway in between on both measures, you're not going to make people feel very excited about you.
I really care about people, and I would need someone to also genuinely value other human beings and want to be connected with people in the world and to know about other cultures. That might not be a high standard for someone else, but for me, it's really important to try and stick to that.
A world where people do not care about the quality of their experience is not a good world for Apple. A world where people care about those details and want to complain about them is the world where our values shine.
You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!
I always prefer the character moments. For me, personally, whether I'm shooting the gun or not shooting the gun, I really don't care. I'm the guy who's like, "Whatever you want me to do." But, I really get excited about the character moments that are steeped in emotion when the stakes are high.
I don't really care about audio quality. If people saw some of the ways that I record stuff, they'd see I don't care in that respect. I obviously care about things sounding good, but I think quality exists through other things like emotionally connecting with a lyric or a feeling, or whatever.
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
I just have a gut feeling about something, if I really want to do it, if I'm excited about it, if I want to explore it. And that goes across all different sorts of genres.
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