A Quote by Larry Rivers

Maybe I was a little jealous or envious of the abstract painters - but the truth was I thought what they were doing was boring. — © Larry Rivers
Maybe I was a little jealous or envious of the abstract painters - but the truth was I thought what they were doing was boring.
All those crazy Impressionist painters in France were friends but they would write about how jealous and competitive they were. That's what makes good art.
Abstract and conceptual painters face different demons than representational painters, but neither group has a monopoly on either authenticity or originality.
Some of my affectionate envious friends say, "You write too much." Maybe, I answer. But as long as the best of your little is worse than the worst of my much, I will keep on doing so.
When you get everything you wanted, I think maybe you do have to be a little grateful for the people who got you there... whether or not they thought they were doing you any favors at the time.
Representational painters: loosen the grip of inflexibility! Abstract painters: tighten your hold on crafting your images! In both types of painting students need to unlearn what one has acquired.
Am I jealous? he thought, astonished. Jealous of the chance object to which she has attached herself? Jealous of something that does not concern me? One can be jealous of a love that has turned away, but not of that to which it has turned.
I hope they remember the good stuff, when I was a baby, a toddler, when they still had hopes and dreams for their little girl, their miracle child. In truth they were good to me. They were only doing what they knew how to do; what they thought was best.
My sisters were sent away because my mother thought they were boring. I was not boring.
Corruption is a fact of life in America as in Afganistan, but as American citizens, if we are white, we tend to experience it as an opportunity cost. I live in Washington, DC, where the city council is notoriously corrupt. But how do I experience that? Maybe in streets that are not as well paved as they could be, maybe in a bridge that costs a lot more money than it should have. That's a little bit abstract - shocking, of course - but still abstract.
We'll be potters, we'll be painters, we'll be textile designers, we'll be jewelers, we'll be a little this, a little of that. We were going to be the renaissance people [when we were young].
George, she says it's the truth that matters. We live and die for the chance to maybe tell a little bit of the truth, maybe shame the Devil just a little bit before we go.
My idea is this, that when you only love a little you're naturally not jealous — or are only jealous also a little, so that it doesn't matter. But when you love in a deeper and intenser way, then you're in the very same proportion jealous; your jealousy has intensity and, no doubt, ferocity.
There's something about the sci-fi genre that gets an audience interested in it, so maybe you can take some risks that you couldn't, if you were just doing a drama. It lets you maybe reach a little further and surprise people a little bit more because there's still that little safety base of working on that genre that everybody loves.
What a funny thing painting is. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life.
In the early '90s, it felt like there was space - there was like an empty feel. There was nobody really doing this. Maybe the Pixies were, a little bit. Their lyrics were also disjointed, more psychosexual or something. That's part of youth, too, maybe, that you just feel like you're doing something different.
I don't think I ever thought of myself as Superman. But there were people who thought of me that way, and maybe I believed them a little.
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