A Quote by Larry Sultan
Photography is there to construct the idea of us as a great family and we go on vacations and take these pictures and then we look at them later and we say, 'Isn't this a great family?' So photography is instrumental in creating family not only as a memento, a souvenir, but also a kind of mythology.
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I am a racer. I'm not a race car driver. I am a racer. I race. That's what I do. I don't go on vacations. I don't take my family on vacations because I don't have a family. My family is the racing family.
The joy for me of television is the sort of family feeling of being involved with an ensemble - the cast and the crew and the director of photography and the guys in the camera truck - and you're all coming together. There's a great feeling when that is a successful unit, a successful family.
You know, people see [August: Osage County], and I tell them that it's based on my family, and they assume that I came from some kind of horrible, hysterical circumstances. That's not true. My family, my nuclear family, was actually very close. My mom and dad were great parents and they encouraged a real rich, creative life for me and my brothers. My extended family, like every family, has some darkness, and some violence of some kind, emotional or otherwise, in their past.
Schools stifle family originality by appropriating the critical time needed for any sound idea of family to develop - then they blame the family for its failure to be a family.
We, as a band, love each other. We're brothers. So we fight. Somebody will call somebody else a douchebag. At the end of the day, we look at how far we've come and realize it would be foolish for us to ever take this for granted. We have a family. And not just a family at home, the family that has grown up with us and supported us through the years. We can't let them down.
I have a great family myself so I know if you don't have a family you've got nothing. Nothing else can take the place of the family - not girlfriends or a career.
I watched the video [ with my first commercial] when I was 20, and in the video, there are two families. The first family is this smiling blond Partridge family, a Californian/Aryan kind of thing, all playing guitars, all singing together and harmonizing. And then, there's my family - and in my family, it starts with my mom saying that she feels like a drill sergeant sometimes, and she's yelling at one of my brothers to stop hitting another one of my brothers. It's just like, "Great, we're that family." It felt a little Simpsons versus Flanders.
I collect art on a very modest scale. Most of what I have is photography because I just love it and it makes me happy and it looks good in my home. I also have a pretty big collection of art books mainly, again, on photography. A lot of photography monographs, which is great because with photography, the art itself can be reproduced quite well in book form.
I have a family I love. They tend to say, 'Great job!' Or 'You work really hard! Good for you!' Or 'You look nice today!' Or 'Don't be ridiculous, order the fries!' Or 'You are hilarious.' That's all the family I need.
Our family makes us who we are, defines us totally. When you go to a therapist or have analysis, whatever reason you go in for, they will always bring you back to your family. We're strong or weak according to what family we have. You might have left them long ago, might not even talk to them, but something lingers; we have no choice.
My family was pretty much the way a family was supposed to be, a Norman Rockwell kind of family, I'm afraid. I say 'I'm afraid' because it will just confirm my critics' view that my views about family are unrealistic.
The family is always the family but during vacations it is an extended family and that is exhausting.
Thank goodness I had a great family growing up, a great foundation. But I will say my faith, my parents, my family, all that stuff is very, very important. And I'll say that until the day I die.
I'm a great looker at pictures and paintings, and so forth. That's what I look for - a kind of formal beauty. I want that in my photography. It isn't always what we conventionally think of as beauty.
If you search for poverty, you'll find it, often in the family. Why? Because the family makes this great investment, from which we all benefit, but for which no-one helps. We have to point the spotlight on the family, and make political choices that sustain the family.
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.
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