A Quote by Larry the Cable Guy
I don't have a lot of recreation time. I've always been under the assumption that if you're selling tickets you need to work. The kind of success that's happened to me maybe only happens to one comedian every twenty years and so I'm on the road constantly.
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On my first European solo tour, I was selling maybe 50 tickets a city until I showed up in Paris and heard the show was already at 150 tickets, which, at the time, really blew my mind and took me by complete surprise.
There are some friends you don't meet for twenty years and when you meet them again it's as if no twenty years has happened - you're lucky when that happens. I feel the same about books.
I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.
When I was playing with the Truckers, a lot of really good things happened. And we had a good trajectory for a long time. For that kind of a band, for the kind of music that I've always made, we had a lot of success, I think.
One's dream is constantly evolving, rising and falling, changing course. This happens in every job, but because I have worked in comedy for twenty-five years, I can probably speak best about my own profession.
I was doing a lot of web design at the time. And anybody that has an agent thinks, "Why do I need an agent?" Maybe it's a little different as an actor - of course you need an agent - but any kind of agency that's selling something for you, you think, "Why can't I sell this myself? It doesn't make sense."
For me, my work is pretty much a lot of my identity. I mean I live to work, basically. With money I'm able to earn I don't put into clothes especially or things like that. I use it as a way of buying time to work. That's how I see money for me. It represents time to be by myself working on these ideas. So in that sense, the work is kind of a surrogate religion, maybe not so surrogate, maybe it is part religion.
The only time I've really been away from my kids to do work was doing Shall We Dance because they both were in camp and it was the first time in twenty years that I haven't been with my kids.
I know a lot of people who are 12 and doing things they shouldnt be doing. Whether youre an actress or a singer, its always the sexier ones that are selling more tickets or selling more albums.
My whole success is I've always been designing for people, first because I wanted to sell them merchandise. Then when I got into hotels, I had to rethink, what am I selling now? You're selling a good time.
I've thought about bringing my children to retrace my own steps of the morning of September 11, 2001, but they're too young for that. Maybe when they're twenty. Maybe by then, even though it's been only a short subway ride away for years now, I'll have the nerve to see the 9-11 memorial for the first time.
Not that that's my goal, but when you're very wealthy and very famous, you can have a lot more decisions in what you do. You have a lot more opportunity. You can maybe even not work for a few years. It puts you in a great position to make some decisions. You're not always taking every job that comes and that kind of thing.
Business is always a struggle. There are always obstacles and competitors. There is never an open road, except the wide road that leads to failure. Every great success has always been achieved by fight. Every winner has scars.The men who succeed are the efficient few. They are the few who have the ambition and will-power to develop themselves. So choose to be among the few today.
You know, it only happens a handful of times in your career, where you walk out of an audition feeling like all the stars aligned, my preparation paid off, something magical happened in the room. I've gotten really lucky and I've gotten to work a lot, and I would say it's only happened, like, two or three times, where I've walked out and been like, This was the right thing and the right choice and they should just cast me.
Sometimes I work upstairs projecting the movies, and the rest of the time I'm just selling tickets or popcorn.
In 24 years in the movie business, you have a lot of doors slammed in your face, and a lot of people say mean things. Every time, I'm constantly surprised at how the span of time gets quicker that I get okay with it, and I'm over it. That's been an interesting thing to learn.
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