A Quote by Larry Wall

You don't have to know the whole language to use it usefully, you can do baby talk, you can do grown up talk, you can cuss in it, you can write poetry, you can be a playwright, is sort of the idea.
I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we tend to talk in short grabs rather than in long flowing sentences. I think that's not a bad way to write.
I love the industry that I'm in. I love what I do, and I've sort of grown from being an actor and being on set. I take it all in, and I talk to the grips and the Best Boys and talk to lighting guys. I talk to everybody and see what they do and pay close attention.
There is not much you can say about a baby unless you are talking with its father or another mother or nurse; infants are not part of the realm of ordinary language, talk is inadequate to them as they are inadequate to talk.
The angels don't care what words you use. They appreciate the engraved, fancy prayers, but they say, "Just talk to us." You can use ordinary language - the language you use when you talk with your best friend - when you ask for help. If you want to reach out to the angels for something very personal for yourself, you can say, "Dear guardian angels and archangels, I ask that you come to me now and help me resolve this problem or issue." And then you just pour out your heart to the angels. You can do it silently in your mind. You can say it out loud. You can write it.
I don't talk very well. With writing, you've time to get it right. Also I've found the more I talk the less I write, and if I didn't write no one would want me to talk anyway.
Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me the music tells me what to talk about.
Japanese is a baby talk - very, very hard to read, very, very, easy to talk. ... A very faint kind of language.
I write in order to understand the images. Being what my agent . . . somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre.
I feel like in the reading I did when I was growing up, and also in the way that people talk and tell stories here in the South, they use a lot of figurative language. The stories that I heard when I was growing up, and the stories that I read, taught me to use the kind of language that I do. It's hard for me to work against that when I am writing.
I can't write about rich people having relationship problems and breaking up in New York. I don't know that world of Terrence McNally. I knew I had to write people who talk the way I talk. And they talked very different than Terrence McNally.
People joke about me that I talk in voiceovers. I have that sort of inflection. But I do talk in voiceovers. I have done it my whole life.
Dutch is our first language. When you talk to older people, you speak Dutch. It's more respectful. The local language, you talk with your friends. You don't talk to your parents like that with the local slang.
I like the idea that I can talk to any teenage girls. You know, in a language that makes sense to them.
Gurls Talk is my baby. It's just about opening up a space within schools where we as women and girls can talk about whatever we want.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
I don't know the rules of grammar... If you're trying to persuade people to do something, or buy something, it seems to me you should use their language, the language they use every day, the language in which they think. We try to write in the vernacular.
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