A Quote by Larry Wilcox

My goal would be to make Frank Capra-type films about real people, how they define their reality. — © Larry Wilcox
My goal would be to make Frank Capra-type films about real people, how they define their reality.
I went to visit Frank Capra, one of my idols, and did a kind of Judd Apatow interview with him. I said, "I'd like the Statue of Liberty to disappear, but I want to do it as a lesson in freedom, how valuable freedom is and what the world would be like without liberty." And Frank Capra looked at me and said, "David, I love your idea, but here's what you're going to do. You're going to try and it's not going to work; it's not going to disappear." And I said, "Mr. Capra, I can't do that."
When I started making films, I wanted to make Frank Capra pictures. But I`ve never been able to make anything but these crazy, tough pictures. You are what you are.
I got to watch Frank Capra, in his eighties, in action. You read all the stories about Frank Capra fighting with the head of Columbia, Harry Cohn, "It's my way or the highway." I got to watch that. He lambasted me, "You cannot do this. You will fail." Finally, after another hour of conversation, I convinced him to help me write the speech.
One does not have to make Frank Capra movies to like people.
Over the years, if you look at the films of people like Billy Wilder, Preston Sturges, Frank Capra, their supporting characters, even if it's a doorman with two lines, always seem three-dimensional. To me, that's a sign of good storytelling.
I don't know that I'll ever get to make my ideal film, because Frank Capra is dead.
I was fishing with director Frank Capra once and we talked about retirement.
My favorite filmmaker is Frank Capra. He talked about the redemption of the human spirit - not the superhero, but the common man.
I love Frank Capra. He believed in the goodness of people and one man's ability to fight and often triumph.
I'm deeply appreciative that many people have enjoyed my films, films that I made in my own style. The successes have helped me learn how to make films free of expectations and focus solely on the pure filmmaking aspect, without worrying about how much money it'll make.
One of the things I've discovered at my age is I must have enchantment. And that was not clear to me in my earlier years. When I look at my favorite films, the Frank Capra - even Scorsese, even 'Goodfellas,' what makes that movie so remarkable is there's enchantment in their world.
As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight years, and I'm still working. Feature films was not the end goal. Feature films was one of the stages. Getting to the point of the Coen brothers or Tarantino, where you're writing your own material and have the budget to do it properly, that's the end goal, and I'm close to that.
If what we regard as real depends on our theory, how can we make reality the basis of our philosophy? But we cannot distinguish what is real about the universe without a theory. It makes no sense to ask if it corresponds to reality, because we do not know what reality is independent of a theory.
I went to Dave Eggers with this idea of doing a movie about a guy going through some sort of Frank Capra-esque journey.
John Lee Hancock is someone that I had admired from afar. I think he is a wonderful director... in the tradition I would say both of Clint Eastwood and Frank Capra.
I think Frank Capra was a much craftier filmmaker, a wonderful filmmaker. He had enormous technique, and he knew how to manipulate the public quite brilliantly.
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