A Quote by Larry Wilmore

When you're in the eye of the hurricane, you're making the show - you just want the show to be good, you want it to be appreciated and those types of things. — © Larry Wilmore
When you're in the eye of the hurricane, you're making the show - you just want the show to be good, you want it to be appreciated and those types of things.
You want good ratings, you want people to like the show, you want to be appreciated for the hard work you put in. You don't always get it. Every show is not beloved.
I want to see more people push what it means to be a web show... because it's very difficult to make a living making those types of shows.
The show isn't about screens, and we don't have any video content or lasers or things blowing up. I want people to come to our show to listen. I want the show to be the music.
I just want my audiences to be entertained and feel like they're part of the show. I want to show them a good time and create an experience they're going to enjoy.
Okay, listen to me, you're stronger than they are. You are. They just want a good show, that's all they want. You know how to hunt. Show them how good you are.
The way I try to explain it the best is that if Critic A from publication A hates our show, and Critic B from publication B loves our show, what are we supposed to do with that? We have to just respect everyone's opinions and go on making the show we want to make. I've never worked on a show that was altered by critical reception. You just can't afford to do that. So in that regard, it's actually no different that working in theater. It's just a lot more voices.
Show interest in all people, not just those from whom you want something. Making people feel important and good about themselves is just the right thing to do.
Part of me is super private, and I'm put in this position where it's scary sometimes because you never know what people are gonna think. It's just making sure that you show what you want to show and making sure that you're presenting your best self always and making the right decisions.
The people running Silicon Valley are not making the show because they want to do a satire of Silicon Valley. They are just comedy writers, and they want to make a funny show.
I would want to do a cooking show. But I want to honor the opportunity that's been given to me with 'Queer Eye.' I feel like my work is cut out for me with the show alone. If it ever goes bust, then I'll explore that possibility.
A good director is like a good coach. You want to play for him. You want to really show him your good stuff. You don't want to let that person down. Ridley Scott is one of those guys.
I'm on Grace And Frankie, which is also about that time in life, I'm realizing. But I would - so I guess I am sort of in that show. But there's something about The Golden Girls and the sort of multicam set and Bea Arthur that I just want to be around those ladies all day long, and I want to be on those comfy couches and want to sit in that kitchen in those chairs in those pastels, and I want to wear Blanche's outfits and it's just really... and I want to sit outside in that weird little courtyard.
Seinfeld [show] had been so huge for me. It was one of those things where I discovered Seinfeld really early and was making sure everyone I knew was watching it. I would tape it on VHS and show it to people that hadn't seen the show yet.
It's a combination, I think they want to know - it's for every show, which is I think networks want to know that you have a vision for where the show could go to make sure that it really is a show, that it's not just a one-off forty minute pilot, that it's an actual series.
I don't want just 25-year-old girls watching my show. I want Grandma, Grandpa and Mom and Dad and the kids. I just want everyone to hear good music.
I want to do an 'Extreme Makeover' show. You know that MTV show 'I Want To Have A Famous Face'? Well, I want to do a new show. I want to have a different famous face.
This site uses cookies to ensure you get the best experience. More info...
Got it!