I've been so lucky to do different things. The world in which 'Westworld' takes place is so unique and bizarre, and it's really interesting to explore that whole universe with the language and brutality going on there. With 'Inferno,' there's the Dan Brown mystery.
I feel like maybe I'm going to be in with the robots because they'll see the show [Westworld] and think I'm one of them.
I think 'Westworld' and 'Hap and Leonard' are two of the greatest things that you can do with this oversized pool of the television medium.
I auditioned for 'Westworld' thinking it was gonna be a knock-off spoof. Thank God I didn't know Anthony Hopkins was starring in it.
There are no coincidences in 'Westworld.'
At first, 'Westworld' was a project we had declined to do.
I think the thing that will endure about Westworld will be the questions it poses.
I was actually born a robot, so 'Westworld' is just autobiographical.
With 'Westworld,' the player piano plays a very important role.
We subverted the entire premise of 'Westworld' in that our sympathies are meant to be with the robots, the hosts.
Movies like 'Westworld' used ideas I'd thought of a long time ago.
What does the future of 'Westworld' look like? I don't necessarily think that we've seen the last of these artificial worlds that are central to the concept of our series as a whole. But the major lens that we will have is going to be the real world.
'Game of Thrones' offers such a wide range of instruments that I use and stylistically for what I'm doing, but 'Westworld' is the same.
J.J. Abrams and Jonah Nolan and Lisa Joy, who are brilliant people, so I knew it [Westworld] was going to be amazing.
My dad was an army cook, so I sort of come from that. But, working on 'Westworld,' a lot of the guys who I'm rolling up in there with, they're actually ex-military people.
I, Jeffrey Wright, the actor, actually signed on to the 'Westworld' Delos website. My profile came back as a Libertine, which is probably reasonably accurate.