A Quote by Larry Wilmore

I think the biggest thing is voice. Whose voice is it? Who gets to control the narrative? — © Larry Wilmore
I think the biggest thing is voice. Whose voice is it? Who gets to control the narrative?
I think the music was speaking to that opening up of whose voice gets heard and how multidimensional that voice can be.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
The ability to walk in someone else's shoes, or in my case, play down in someone else's cleats is one of the very best things you can do. There's nobody in this world who doesn't have that voice in their head. Sometimes it's the best voice in the world, and it pumps you up, but sometimes the voice is down. I wanted my players to be able to hear my voice in their head instead of someone else's because I knew that was a narrative I could control.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
Voice is one of the most elusive qualities in any story. We recognize it when we hear it, but it's hard consciously to create an authentic voice. Somehow voice seems to be the natural manifestation of all the narrative decisions we've made so far. We discover it more than we fabricate it.
Finding one's voice - or creating a narrative voice that has the power to carry your story - is the hardest part.
I think what education gives you is a voice. It gives you a way of talking to a judge. When a policeman pulls you off to the side of the road, you have a voice. When you cross a border, you have a voice. When you are writing to express your opinions, you have a voice.
For me the Voice of God, of Conscience, of Truth or the Inner Voice or the still small Voice mean one and the same thing.
SpongeBob's voice is really pingy and forward and nasally. The problem is, if you live in the extreme of that for more than 10 minutes, it can be a little grating, and it can be hard on your voice. Also, it gets in the way of the acting to be forcing your voice into this place.
I've auditioned for animation stuff for a long time; that's a tough field to crack into. I don't think I have the strongest voice. I don't have a theater-trained voice or a radio voice, but I think I make good character choices.
Mark Twain is a voice of truth and a voice of equality and a voice of tolerance. Which means he is a voice of love.
I was a ballet dancer for so long, but when I realized I had reached my limit and that I couldn't go any further I knew I wanted to pursue acting. That's one thing you don't use as a dancer - your voice. And the one thing I use most in my life is my voice so it's wonderful to get to express myself artistically through the biggest instrument I use.
We can find our voice in the world again: a voice that is commensurate with the fifth-biggest economy on Earth.
I ask for a stonger and more devoted voice... a voice for good, a voice for the gospel, a voice for God.
In some traditional African dances, people wear masks in order to become the embodiments of particular spirits. I have heard that they often cover the mouth-piece with spider webs or something that resonates, so that their voice gets distorted, ceasing to be the voice of a human and becoming representative of a voice that comes from another world.
For me, the main inspiration to write a story or novel is the voice of its central character, or the narrative voice of the story itself.
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