A Quote by Larry Wilmore
I just feel it's important to make sure that behind the scenes is as filled with diverse voices as in front of the scene is.
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We need to make sure we're bringing in diverse voices and not expecting everyone to be a representation of their ethnicity or their age or their gender, but judge them individually and make sure that we're figuring out who the person is and not just checking a box.
The challenge for me is to make sure I've done my work. To make sure not every scene is quiet, that other scenes rise up, that there's different tension.
I have kissed in almost all the films except in 'Once Upon A Time In Mumbaai.' I'm not sure if my kissing on screen has anything to do with the success of a film, but producers make sure to put a kissing scene or two. They feel my kissing scenes are my lucky streak.
I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.
I've begun to believe more and more that movies are all about transitions, that the key to making good movies is to pay attention to the transition between scenes. And not just how you get from one scene to the next, but where you leave a scene and where you come into a new scene. Those are some of the most important decisions that you make. It can be the difference between a movie that works and a movie that doesn't.
I am kind of the front man for a team of people behind the scenes who are working just as hard as me and are putting in just as much time to make this all happen. I'm not trying to be humble. I just want everyone to get credit where credit is due.
I think the grime scene is one of the sickest, most diverse scenes ever.
'Fast & Furious' is a well-oiled machine. Those guys really know what they're doing. The guys that work behind the scenes are just as important as the ones in front of the cameras. They are car enthusiasts. They live and breathe this world.
The amplification of our diverse literary voices is a political act of resistance. Our lives are important, too. Our lives should be represented in our literature. And that literature is vital, compelling, and accessible. That literature deserves to be disseminated and noticed and available. And with respect to the dissemination and promotion of diverse voices - librarians, educators, and editors of literary journals play such an important role. They deserve not only a hearty shout out, but also our thanks and support.
The voices of the residents of Flint did not get heard by people that were making decisions and I think that's the most important thing. I want to make sure those voices are answered in the future.
You get a different respect when you can handle things on the behind the scenes end as well as in front of the camera or in front of the mic.
There will be a time very shortly that I just might not be in front of the camera at all, and I might just be behind the scenes. I love doing television, though. I don't necessarily love being in front of the camera.
There weren't any deleted scenes, it was just a matter of tightening stuff. I didn't have any deleted scenes in what I did as far as I know. It's very unusual on Game of Thrones for there to be a deleted scene because the scripts are pretty locked in. There's rarely a reason to say, "Hey, we don't need this scene."
The irony is that musical artists have enormous public voices, but behind the scenes we're voiceless, actually.
I'm so used to being behind the scenes. I didn't really want to be front and center. One of the elements of my relationships with the artists I work with is that I'm not front and center, and they are.
Personally, I feel a strong responsibility to make sure that we have women equally represented in our executive suites and that we employ women in front of and behind the camera and in our writers' rooms.
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