A Quote by Lars Ulrich

Some people try and tell you what the songs are about and it bores me to death. — © Lars Ulrich
Some people try and tell you what the songs are about and it bores me to death.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Some of the songs are inspired by personal things that have happened. Others have been inspired by other people's stories, you know, like someone that witnesses something and so I tell the story through my own eyes. And some songs are just about how I feel about the world and others about the places that we have travelled to.
You live in the present and you eliminate things that don't matter. You don't carry the burden of the past. I'm not impressed by the past very much. The past bores me, to tell you the truth; it really bores me. I don't remember many movies and certainly not my own.
I'm going to try to make happy songs or some political songs, like 'A Country Boy Can Survive' - something people can get excited about.
I've had to listen to candidates tell me they are the most wonderful thing since the invention of sliced bread, and it bores me to death. It also makes me doubt that they are actually any good at all - plus it's an attitude that would never fly in the culture I've created in my company.
My own business always bores me to death; I prefer other people's.
For me, when you are talking about perfect songs, you're talking about Gershwin, 'Someone To Watch Over Me.' Or Larry Hart and Richard Rodgers. Or some of the great Cole Porter songs, whether it's 'Night and Day' or some of the comedy songs. Or Irving Berlin, of course.
If I talk to a new guy, it's because the old guy bores me, and I already wrote a bunch of songs about him.
I read the Bible sometimes, but it bores me to death. I just want to know what other people find so bloody fascinating.
The thing about Depeche songs is that they’re so descriptive. For me, they tell some kind of story about a character who’s trying to redeem himself or to find something to believe in-some kind of faith or hope.
If God bores you, tell Him that He bores you, that you prefer the vilest amusements to His presence, that you only feel at your ease when you are far from Him.
Even when I do commercials, I try to tell a story about the product. With music, I try to tell the story of the person's struggle for success. And I believe every word I say. I never read anything on the air I don't believe in. I think people sense that about me, and they respond to it.
When I met with Peter Angell, the producer of the CD, we talked about my idea to do songs that I loved and songs that I wished I had recorded. Peter suggested that we pick some songs and see how they work with you and try to come up with arrangements and ideas about how you might want to do them.
No one grows up. That's one of the sickest lies they ever tell you. People change. People compromise. People get stranded in situations they don't want to be in… and they make the best of it. But don't try to tell me it's some kind of… glorious preordained ascent into emotional maturity. It's not.
Alas! it is true: "Be polite to bores and so shall you have bores always round about you."
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