When fans get very passionate about a movie, they just want you to do it well. They don't want you to screw it up. Their idea of doing it well might be different than yours, but ultimately, they really just don't want you to mess up the thing that they love.
It's easier making a smaller film like El Mariachi. There are no budget worries because there is no budget. There is no crew problem because there is no crew. And if you screw up, no one is around to see you screw up -- so it's no longer a screw up.
You might say what if I screw up? Then screw up big! Go for it! Do a big screw-up!
It's very rare in our lives that we're like "Ooh, I'm going to really screw this family up." You just don't. You work from a place of need, like I want to finish this movie or I want to feel loved at that moment or I need empathy right now. And then, you do things that are questionable.
If you screw things up in tennis, it's 15-love. If you screw up in boxing, it's your ass.
I guess we all have a bad night now and then and really screw up. I listened to our earlier stuff and we screwed up a lot. But at least now that we are sober, when we screw up it's for real.
Sacred texts give no specific depiction of God, so for centuries, artists and filmmakers have had to choose their own visual depiction.
Screw up often; but screw up ahead of everybody else, and than learn as much, and than use it to make subsequent investments.
Government can screw up just about everything. Given enough power and time it will screw up everything.
One big lesson I learned from movie [making] was I don't do creative projects that I headline unless I have all the control. I can't deal with having to live with other people's screw ups, and that's just sort of the way the movie business works. The people with the money are in charge. Until I'm in charge, I don't want to play that game.
Also, I plan to screw something up on every movie I do so that I can learn from my mistakes and become a better director with each project.
Whenever you make a movie, when it's done, as a filmmaker, you never sit there and say, 'Boy, I really got that right.' It's, 'Where did I screw up?'
I want revenge, but I don't want to screw up my karma.
But I've always felt very comfortable on stage, even if I screw up. It always felt like a dog, this is my turf, piss around it. While I'm here, nothing else can happen. All I can do is screw up. Otherwise, have a good time.
My reaction to porno films is as follows: After the first ten minutes, I want to go home and screw. After the first twenty minutes, I never want to screw again as long as I live.
When I show up to act in a movie for somebody else, I just want to be nice and helpful and do what they want because I know how difficult it is to make a movie. I don't want to cause any problems. So you show up and do your job, and I think if a director understands that, you don't make a lot of demands.