A Quote by Laszlo Nemes

If there's no magic of cinema, you only have the plain imagery of television. We are moving more and more towards a world devoid of meaningful experiences. We're going to the surface.
We are moving towards a world that is reordering itself and that may appear more ordered at some periods of time, but I see no sign that we are moving towards a world order in my definition of it - namely, a system which is accepted, which is internalized by the majority of the key participants.
One of the problems with industrialism is that it's based on the premise of more and more. It has to keep expanding to keep going. More and more television sets. More and more cars. More and more steel, and more and more pollution. We don't question whether we need any more or what we'll do with them. We just have to keep on making more and more if we are to keep going. Sooner or later it's going to collapse. ... Look what we have done already with the principle of more and more when it comes to nuclear weapons.
I think that more and more young people are discovering that gainful employment isn't the only thing in life. That they can perhaps be just as useful to society and themselves by travelling across the land or around the world, learning more about humanity and going through the various experiences which will make their adulthood more productive.
Meaningful cinema which lets me explore my talent to the fullest and with different roles is more important to me than just doing more and more films.
Actually a lot of the supposedly serious and meaningful and worthwhile content on the podcast or on the television is no more or less meaningful than the clothes in the laundry basket or the dishes in the sink. It's more a matter of the attention you're willing to bring to them, where you're willing to allow meaning and pleasure and the light to escape.
Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.
Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.
More meaningful cinema is being made, and that is the reason why you see a rejuvenated Malayalam film industry. But more films aimed at youth are needed.
So what'll happen is there'll be some very good cinema experiences are going to see 3D where you have to pay more. And there'll be some bad experiences of going to see movies in 3D. And I just hope that this kind of gold rush mentality doesn't kill what could actually be something that really, really benefits the industry.
In my lifetime, the world has become better, not worse. And the world is moving, very slowly but surely with more democracy and more liberal way of thinking, more inclusion and more diversity.
Children are the future, because mankind is moving more and more towards infancy.
The only technology that can 'see' beneath the ground is radar imagery. But satellite imagery also allows scientists to map short- and long-term changes to the Earth's surface. Buried archaeological remains affect the overlying vegetation, soils and even water in different ways, depending on the landscapes you're examining.
I do find that when I see women who flesh out the television or film world and make it look more like the world I actually live in, I gravitate towards those characters.
If the bee disappeared off the surface of the globe, then man would have only four years of life left. No more bees, no more pollination, no more plants, no more animals, no more man.
There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs
I was hugely formed by stories I was told as a child whether that was in a book, the cinema, theatre or television and probably television more than any medium is what influenced me as a child and formed my response to literature, story-telling and, therefore, the world around me.
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