A Quote by Lata Mangeshkar
There are so many songs that I could not sing the way I wanted to. When such songs come on television or radio, I shut them off or leave the room.
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On 'Heartbreaker,' I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs. With 'Gold,' I was trying to prove something to myself. I wanted to invent a modern classic.
All I ever did was the songs I wanted to sing, in the way I wanted to sing them, and when people went crazy about them, it totally surprised me.
I have this phobia: I don't like mirrors. And I don't watch myself on television. If anything comes on, I make them shut it off, or I leave the room.
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
I started singing when I was a teenager. I always wanted to write songs; I just didn't understand how someone could sing without writing their own songs.
I sort of just wrote the songs, the way I wanted to write them, sing them the way I wanted to sing them, perform the way I wanted to perform.
I try to sing many different kinds of songs. If I sing a batch of humorous songs, I'll throw in a deadly serious song. Or if I'm singing too many serious songs, I'll throw in a ridiculous song, to mix it up.
He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.
Songs are great. I love songs. I sing them in the shower sometimes. They can be poignant or cheery or angry, and they can have catchy and satisfying melodies. There's nothing wrong with songs.
My aim in times to come is not to just work with Muslims but to actually sing songs for everyone and sing songs in which people all over the world can relate to.
I used to sing Bill Monroe songs. And I'd sing Dennis Day songs like songs that he sang on the Jack Benny show.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Well, at the very beginning of the Amboy Dukes, I was doing background but I never sang my own songs. I would sing them for the guys to show them how I wanted the songs to go, but I always had lead vocalists.
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
There are so many songs out there in the world that - if I know we have to come up with a new cover, then I'll just sit in my room and sing song after song and figure out which one I can kind of sing the best.
The rest of the songs on the album [Mortal City ] have spare arrangements on them. Steve [Miller], really loved that. He'd just come off of a project with someone who basically had to mask the fact that there were no songs there with production. He said, "Oh, my God, you have real songs here!"
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