A Quote by LaTanya Richardson

I think most Americans, when we're building a character, we look at the specificity of what that person is, in particular. — © LaTanya Richardson
I think most Americans, when we're building a character, we look at the specificity of what that person is, in particular.
In other words, each piece of the building must look as though it was designed for that particular building.
Your character is your destiny. Building character is a task for the brave and dedicated. There are no shortcuts when it comes to building character. If you wish to cure minimalism in your own life, to develop a complete commitment to excellence and an absolute rejection of mediocrity, the question you need to start asking yourself is, "What is the most I can do?"
There's a specificity of language that's required in Shakespeare that most drama students in England deal with - a specificity of language that is somehow not as clear in a lot of American schools.
I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
I'm not as worried about the process of writing, simply because I think I've got that one down, you know? I think I know what brings specificity to these ideas, what brings specificity to the genre elements, or anything else, and it's personal emotions.
I don't look for anything in particular, like a particular genre. It's all very much to do with the quality of the script and the character as well.
Sex almost always disappoints me in novels. Everything can be said or done now, and that's what I often find: everything, a feeling of generality or dispersal. But in my experience, true sex is so particular, so peculiar to the person who yearns for it. Only he or she, and no one else, would desire so very much that very person under those circumstances. In fiction, I miss that sense of terrific specificity.
I’m not perfect. I never identified with the way I look; I was just born this way. I don’t feel rejection if I’m not the right person for a job, because that’s not where I find my self-worth. I’m a beautiful person, and that’s not because of my modeling career. There are good shots, and there are bad shots, but it’s just like playing a character. If you think of the top five people that you care about the most in your life, you probably don’t care if they look good in every angle or photo.
When you're building a character, or at least when I'm building a character, you start saying, 'How am I going to make people like him?'
Jewish, black, Filipino, whatever the specificity is, it's specificity that makes a good story. And I think people are tired of seeing the same old shtick on network television. It's just a group of white people hanging out talking about their jobs. Who cares? We've seen that.
As a fiction writer, one of things you learn is God lives in specificity. You know, human kindness is increased as we pursue specificity.
If I speak with a character’s voice it is because that character’s become so much part of me that … I think I have the right then to imagine myself into the skin, into the life, into the dreams, into the experience of the particular character that I’ve chosen.
One reason I can be more tolerant than most is that as a therapist I have the advantage of information about my patients that most people are not privy to. And I discover that we rarely if ever see the totality of another in ordinary social intercourse. When an individual appears mean and lazy, we are only seeing one part of the person, elicited by a particular set of circumstances on a particular day, and we do well to wait a while before concluding that what we see is the whole person.
I think it's my job to like any character I play - to understand and appreciate a character, to look at the world as much as possible from their point of view. I don't look at it just technically: learn the lines, figure out what gestures I want to bring and play, and that's it. I like to learn as much as I can about the person, and see what happens.
We build character in order for us to withstand the rigors of combat and resist the temptations to compromise our principles in peacetime. We must build character in peacetime because there is no time in war. Character is the most important quality you can find in any person, but especially in a soldier. It is the foundation that will get anybody through anything he may encounter. Reputation is what people think you are; character is what you are- that is the staying power.
When I was in school, sport was given utmost importance. I think it's fantastic for character building, for team playing, and I think it's a great profile for a nation. One in every six people on Earth is an Indian, and I look forward to the day when we can compete with the heavyweights of the sporting world and do well in the medal tally.
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