People had this image of the Jacksons as the perfect American family and I destroyed that image. But what people have to understand is writing that book was very healing for me.
People have a good image of me. It's not these tramps who are going to tarnish my image. They should stop lying to the French people. It annoys me that people talk about 'your image'. My image is great in France. When I'm abroad, I don't even talk about it. But in France it's just these people, these parasites.
Everything about the Kardashian family's public image centers around shock and dysfunction - the very image the trans people are trying to shed.
It doesn't surprise me that people can't see beyond my image. It's amazing, but I can understand it. That's what image is for. But it's never a problem for me. It's only a problem for them. I don't really care. I do what I want regardless.
I can understand how people would despise my image and my father's persona. My father's image amongst the poorest of people, those forgotten by the state, still remains a respected image. Whether we like it or not, my father was an important figure who filled a vacuum left by the state amongst the lower social classes.
Sometimes I just think of an image. Basically, I see an image in front of me. My eyes are open, but I visualize an image, very truthfully. It happened with all my movies the same way.
I'm different from any other designer, businesswise, in that I've built this company up and I own it. I never had business hype behind me to promote my image... My image is real... I have never had marketing people telling me what to do.
The first four months of writing the book, my mental image is scratching with my hands through granite. My other image is pushing a train up the mountain, and it's icy, and I'm in bare feet.
I grew up upper-class. Private school, my dad had a Jaguar. We're African-American and we work together as a family, so people assume we're like the Jacksons. But I didn't have parents using me to get out of a bad situation.
I grew up upper-class. Private school. My dad had a Jaguar. We're African-American, and we work together as a family, so people assume we're like the Jacksons. But I didn't have parents using me to get out of a bad situation.
I was thinking about how we're so in touch with our image now. That conception of ourselves, in a very physical sense, can be oppressive. You find people wanting to be in dark places, not really see themselves, see themselves as a filtered image. A curated image.
We're African-American and we work together as a family, so people assume we're like the Jacksons. But I didn't have parents using me to get out of a bad situation.
I would like people to know me for who I am, especially since I think people have a very skewed image of me. I was playing a lot of cute characters, a lot of little girls; I was objectified. And I don't want people to think of me as that because it's not who I am, and because I've seen a lot of hostility towards that image.
I understand there's damage control to do on my image, but people are always gonna have their opinion of me no matter what. I understand 100 people may like me and 1,000 people may hate me. That's fine.
If you see an image and it's just an image, and there's a bad link or no description, and you don't know what that image is, or who took it, or what it's a picture of, it's not a very satisfying or actionable experience.
The image my work invokes is the image of good - not evil; the image of order - not chaos; the image of life - not death. And that is all the content of my constructions amounts to.
Tamil people are generally considered very intelligent. But there, politics runs in a different way. Movie stars have a larger-than-life image in Tamil Nadu, and people vote for that image.