A Quote by Laura Amy Schlitz

Folklore has a moral center to it. Folklore is always, always, always on the side of the underdog, and children have a natural instinct towards justice. They feel indignation at needless cruelty and wistfulness about acts of mercy and kindness.
Common sense is not something rigid and stationary, but is in continuous transformation, becoming enriched with scientific notions and philosophical opinions that have entered into common circulation. 'Common sense' is the folklore of philosophy and always stands midway between folklore proper (folklore as it is normally understood) and the philosophy, science, and economics of the scientists. Common sense creates the folklore of the future, a relatively rigidified phase of popular knowledge in a given time and place.
When I was younger, I was in love with everything about the British Isles, from British folklore to Celtic music. That was always where my passions were as a young girl, and so I studied folklore as a college student in England and Ireland.
In more recent years, I've become more and more fascinated with the indigenous folklore of this land, Native American folklore, and also Hispanic folklore now that I live in the Southwest.
In my introductory course, Anthropology 160, the Forms of Folklore, I try to show the students what the major and minor genres of folklore are, and how they can be analyzed.
Folklore used to be passed by word of mouth, from one generation to the next; that's what makes it folklore, as opposed to, say, history, which is written down and stored in an archive.
Folklore used to be passed by word of mouth, from one generation to the next; thats what makes it folklore, as opposed to, say, history, which is written down and stored in an archive.
So often times we see these films that erode human dignity...films that deny the transcendent moral order of the moral universe. They're always eroding natural affections for families. Fathers betray their commitments, children's are always portrayed as brats and disobedient, marriages are always in crisis and struggle. I think (for) most of us, that's not the lives we live. We're always being challenged, we always have challenges but we love our families, we love our spouse, we love our children.
Folklore is always changing and evolving for new audiences.
The study of folklore is largely the study of particular folklore genres: myth, folktale, legend, ballad, proverb, riddle, superstition, etc.
My own bias in folkloristics is decidedly psychoanalytic. I believe that the vast majority of folklore concerns fantasy, and because of that, I am persuaded that techniques of analyzing fantasy are relevant to folklore data.
Literature, fiction, poetry, whatever, makes justice in the world. That's why it almost always has to be on the side of the underdog.
I've always felt most comfortable in the hopeless romantic, underdog kind of roles who always gets the girl in the end. I don't know what that says about me but for some reason it's a natural fit.
Cruelty towards others is always also cruelty towards ourselves.
I always wanted to go to Cuba growing up. It was this fascinating, forbidden country that seemed to have a lot of politics and folklore and history behind it.
I am basically a folk singer because I'm coming from a part of the earth where folklore means a lot. The Mediterranean is a very old part of the world, and the more a place is old, the more there is folklore.
Our family were outsiders, and I've always had a sense of the outsider, the underdog, and a strong sense of justice towards people who are excluded.
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