A Quote by Laura Antoniou
Safe, sane and consensual what do those words really mean? Assimilation, that's what.
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The fact that we're all hyphenating our names suggests that we are afraid of being assimilated. I was talking on the BBC recently, and this woman introduced me as being "in favor of assimilation." I said, "I'm not in favor of assimilation." I am no more in favor of assimilation than I am in favor of the Pacific Ocean. Assimilation is not something to oppose or favor - it just happens.
Much of what we now consider to be problems concerning immigration and assimilation really concern Mexican immigration and assimilation.
When a poem is really finished, you can't change anything. You can't move words around. You can't say, 'In other words, you mean.' No, that's not it. There are no other words in which you mean it. This is it.
With a lot of what we take to be true feelings, especially on pop records, we feel them because they're cleverly crafted. And because the words are written by somebody who knows how to craft words and draw on those things and convey those feelings. That doesn't mean they're dishonest. But it also doesn't mean that it's all just pure primitive emotion spilling out.
Why are you still with me, Fry?" CyFi asks after one of his body-shaking seizures. "Any sane dude woulda taken off days ago. "Who says I'm sane?" "Oh, you're sane, Fry. You're so sane, you scare me. You're so sane, it's insane.
--Why are we fighting them? --They're mad. We're sane. --How do we know? --That we're sane? --Yes. --Am I sane? --To all appearances. --And you, do you consider yourself sane? --I do. --Well, there you have it. --But don't they also consider themselves sane? --I think they know. Deep down. That they're not sane. --How must that make them feel? --Terrible, I should think. They must fight ever more fiercely, in order to deny what they know to be true. That they are not sane.
Acting doesn't have anything to do with listening to the words. We never really listen, in general conversation, to what the other person is saying. We listen to what they mean. And what they mean is often quite apart from the words. When you see a scene between two actors that goes really well you can be sure they're not listening to each other - they're feeling what the other person is trying to get at. Know what I mean?
I see consensual S&M no differently than I see consensual anything: as beautiful, and never any one thing.
Every acquisition of accommodation becomes material for assimilation, but assimilation always resists new accommodations.
Drugs, gambling, and prostitution are the Big Three underground 'moneymakers' in consensual crime. There would be, however, significant boosts to the economy if the stigma attached to the other consensual crimes were eliminated through legalization.
I have this theory about words. There's a thousand ways to say "Pass the salt". It could mean, you know, "Can I have some salt?" or it could mean, "I love you.". It could mean, "I'm very annoyed with you". Really, the list could go on and on. Words are little bombs, and they have a lot of energy inside them.
If people try to judge you or shame you for doing safe, consensual things that make you happy, I can guarantee you they're bad people.
Some words have to be explicitly uttered, Lenore. Only by actually uttering certain words does one really DO what one SAYS. 'Love' is one of those words, performative words. Some words can literally make things real.
It's technically extremely difficult to get down what you really mean, not what you think you mean, or what you think sounds good, but what's really there, what you really have to express, in words that somehow convey that meaning in an approximate way.
I believe that if we really want human brotherhood to spread and increase until it makes life safe and sane, we must also be certain that there is no one true faith or path by which it may spread.
See my eyes - are they safe? Are they even sane?
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