A Quote by Laura Bailey

It's nice, because after you've worked with various directors and producers enough times, they start to know your voice and what you're capable of. — © Laura Bailey
It's nice, because after you've worked with various directors and producers enough times, they start to know your voice and what you're capable of.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
I understand the formula that producers hire directors and directors are hired to direct and actors are hired to act. I don't have any conflict with any directors because I know they're the boss.
After Star Trek, I was with the top agencies, but producers and directors did not know what to do with me.
For directors and producers, you're not going to get competent performers on your set if they didn't start at a young age and understand professionalism.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
I've worked with a lot of great directors and often times they solicit your ideas.
Yes, you know enough of my frankness to believe me capable of that. After abusing you so abominably to your face, I could have no scruple in abusing you to all your relations.
I can confidently say that I am comfortable with all the directors, co-star and producers with whom I have worked; there have been absolutely no tensions.
I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.
I think I have allowed my voice to experiment with the different genres. And I think that I have just really enjoyed the journey of getting to know my voice and seeing what it's capable of, what it's not capable of.
I went through some tough times because if you're used to having a voice in contemporary culture and all of sudden, you don't have that voice, you don't have that outlet. I didn't appreciate that. I didn't understand how important that was to me. And all of a sudden, after investing all this time and energy, I had no identity. I didn't know who I was. I didn't know what I had to say. I didn't have a way to say it. It was very painful.
I worked in feature film casting right out of college and spent a lot of time working with actors, directors, and producers.
Because I've always aspired to direct and produce, I've literally worked with about 200 directors and countless producers, so what I appreciate is how, through osmosis and through actually asking questions and through people offering wisdom, there's a lot in there.
Believe in yourself and in your own voice, because there will be times in this business when you will be the only one who does. Take heart from the knowledge that an author with a strong voice will often have trouble at the start of his or her career because strong,distinctive voices sometimes make editors nervous. But in the end, only the strong survive.
The lyrics are usually the last take. So after like five times, saying it over and over again, your voice starts to relax and you get into the groove of the record. Personally I don't raise my voice; my voice is usually lower, more casual.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
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