A Quote by Laura Bell Bundy

What I loved about country music when I was a kid was the Grand Ole Opry, was 'Hee Haw,' was 360 degrees of entertainment. — © Laura Bell Bundy
What I loved about country music when I was a kid was the Grand Ole Opry, was 'Hee Haw,' was 360 degrees of entertainment.
What I loved about country music when I was a kid was the Grand Ole Opry, was Hee Haw, was 360 degrees of entertainment.
My mother has always been open about all kinds of music and entertainment. She wanted us to see that it was not just country music and the Grand Ole Opry.
When I was growing up, Nashville was the place to go if you had songs to sell and thought you had talent and wanted to tour and be on Grand Ole Opry [radio show]. It was the big deal back in those days to play the Grand Ole Opry. And you could travel around the world saying, "Hi, I'm Willie from the Grand Ole Opry".
My earliest memories of country music are the Grand Ole Opry.
The Grand Ole Opry was my favorite. That's when I got to discover the stuff inside the Grand Ole Opry, like Hank Williams' clothes, the dressing room Taylor Swift stayed in and some other things. Then I got to perform.
Jimmy Dickens was the essence of country music and the heart of the Grand Ole Opry.
I used to love watching 'Hee Haw' on TV when I was a kid. My brothers and sisters weren't happy about it, but I just loved the music.
I came out the back of the building and I was hollering, 'I've sung on the Grand Ole Opry! I've sung on the Grand Ole Opry!'
'Neil Young Heart of Gold', that was a valentine to Nashville and country music in the Grand Ole Opry tradition and Hank Williams.
The Grand Ole Opry, to a country singer, is what Yankee Stadium is to a baseball player. Broadway to an actor. It's the top of the ladder, the top of the mountain. You don't just play the Opry; you live it.
I got to Nashville on Labor Day weekend in 1972. And the Grand Ole Opry is still there, the Country Music Hall of Fame is still there. And the roots of country music are still there. It's where the authenticity and the empowering force lies.
When I was a little girl, I always dreamed of being a country music singer, but I never dreamed I'd be a member of the Grand Ole Opry.
I was like, 'Man, bluegrass - that's like Roy Clark playing banjo on 'Hee Haw.' I'm a huge 'Hee Haw' fan. But I didn't know about bluegrass. It seemed like old people's music.
We didn't have the Grand Ole Opry or country radio stations in Nova Scotia when I was growing up.
My folks were country music performers. They made records and even did a few tours with the Grand Ole Opry. There always were a lot of guitarists around.
If it wasn't for Kenny Rogers, I don't think I would be in country music. He was that guy when I was a kid - his music and 'Hee Haw' made me perk my ears up and made me say, 'What is this? I want to hear more of that.' He was that catalyst for me to start this whole run in country music.
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