A Quote by Laura Benanti
People want to go to a musical to be razzled and dazzled, so to have an opportunity to do a musical that feels serious and moving is exciting to me. Especially since people think of me as a silly, funny person, so I like to be able to show that other side of me.
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I want to go to places that are unexpected of me, because people really think they have me pegged. I want to do something different, like maybe do a space movie or a musical.
It's interesting, a lot of my friends and family thought that was the moment I kind of showed everyone my humor; the silly side of me that friends and family know, so that could be what people were responding to. I have a big sense of humor, and people who know me know that silly side of me, so moving forward, I think it gives me the freedom and confidence to do more of that.
To me, the musical is best when it's a musical comedy. So if you have a very, very funny show, and very good, funny songs, that's what the musical does best.
I think there's a huge parallel that affects my musical taste, and connections that have to do with my ethnic diversity and my musical tastes and the diversity of that. And it's interesting that, growing up on the circuit, it posed such a challenge, not only to me deciding what my identity was amongst my peers, but then on the music side, it was like trying to explain or convince people especially in the music industry that there was a place for what I was trying to do. But at the same time, I think it has a lot to do with timing and even me, like, understanding it.
Yeah, for me there are other challenges that aren't musical too. Like you just don't have as many people to feed off of energy wise, you are loading in and out and you are driving yourself more. Most of the challenges that count are the musical ones. I don't know why people come out to the shows, but I never think that it is to hear me play the guitar and sing. I think it must be in the writing and the presentation, which are the areas that I feel most comfortable.
I can destroy a dance floor. I think life should be a musical. I always hate it when people watch a musical and they go, 'Oh, it's so unrealistic, no one just breaks into song in the middle of their day.' Yeah, they do- if they're me.
Why do all these people want [comedians] to be serious? The reason they want that is these are people who aren't funny. Anybody funny can be serious, but people who have no sense of humor, they can never be funny - and frankly, they're jealous. There's very few comic actors. Think about it. There aren't that many. It's hard because you have to be able to do both.
When I was 4, my parents took me to see a musical, and I was like, 'I want to do that!' I started doing all sorts of musical camps and a lot of professional theater. I took dance classes for 10 years, too - I was never the most amazing kid in the other classes, but tap stuck with me for some reason.
When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they aren't camp, that, to me, is magic. I've done musical comedies and enjoyed them, but subject matter that's deeper and more realistic is always what's appealed to me most.
All musical talent is absent in me, to the point of being unable to play board games that require you to hum a tune while others guess what it is, since all my humming sounds the same. Musical instruments have always seemed like alien artifacts to me, even as I really admire anyone who can play one.
I think sometimes people become quite emotional about the characters as well, and that's pretty cool that you can get that emotion out of people. And I think that's more my motivation than like, "Hey I want to be the funny guy, I want to be that famous funny guy." That doesn't sit as well with me as the idea of taking people on this ride and taking them into the illusion of the characters. That's much more exciting for me.
You go to a restaurant with a friend for lunch and the next table, two people are sitting opposite each other. They don't talk! All they do is look at the screens of their cell phones and show it to the person that they're with. And when people do that to me, they want me to look at pictures on their cell phone? I can't even look at little things like that. I think it is all crazy.
I hate to go out on a limb after only one viewing, but Nashville strikes me as Altman's best film, and the most exciting dramatic musical since Blue Angel.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
If anything I love when I'm the underdog. It gives me an opportunity to fight back stronger and show people, 'Ok, if you want to be on the side of the other person, then I'm going to make them pay for that mistake. Their body is going to pay the cost for you choosing them.' So if anything, that always lights a fire for me.
I think it's silly when people try compartmentalize musical genres. That was always my problem with the chillwave thing - people were trying to make it into some kind of musical movement, when it was not a movement. A couple dudes had a couple songs for a couple months. It's going to be a disparate onslaught of people throwing ideas at the wall.
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