A Quote by Laura Benanti

I think it's good to have an old fashioned musical as well as new musicals. There's a lot of room for different shows. — © Laura Benanti
I think it's good to have an old fashioned musical as well as new musicals. There's a lot of room for different shows.
If a thing is old, it is a sign that it was fit to live. Old families, old customs, old styles survive because they are fit to survive. The guarantee of continuity is quality. Submerge the good in a flood of the new, and good will come back to join the good which the new brings with it. Old-fashioned hospitality, old-fashioned politeness, old-fashioned honor in business had qualities of survival. These will come back.
All these people talk so eloquently about getting back to good old-fashioned values. Well, as an old poop I can remember back to when we had those old-fashioned values, and I say let's get back to the good old-fashioned First Amendment of the good old-fashioned Constitution of the United States - and to hell with the censors! Give me knowledge or give me death!
Maybe I'm old-fashioned. But I remember the beauty and thrill of being moved by Broadway musicals - particularly the endings of shows.
I have written a lot of musical theatre over my life - two Olivier Award-winning musicals - and I still don't think I'm ready to be the boss in the room.
I've auditioned for musicals a lot, but I think my voice didn't really match what they were looking for. I went to school for musical theater for a year and dropped out. Legit musicals are not quite my forte.
If something becomes old-fashioned, it was no good to start with. Think about it. Michelangelo is not old-fashioned.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
I did a lot of musicals when I was young and finally went to drama school to try and get away from doing musicals... and of course the first thing that happened when I got out is I got offered a musical. And then when I got to the Royal Shakespeare Company, which was my next job, I ended up doing a bloody musical!
I used to watch a lot of musicals as a kid. Musical movies, not so much musical theater.
I remember really getting into 'The Wiz' and an old musical called 'Purlie,' which Melba Moore sang. I liked those roof-raising shows because I connected deeply with the gospel aspects of those musicals.
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
When I first got to New York, all I did was musicals. After a few years I had to make a conscious choice to close the door on musicals, because I was getting pigeon-holed as a musical theater performer.
I think believing in eternal love or growing old together, people might think is a bit old fashioned. I am bit old fashioned, and I truly believe that it can happen provided that you do find the correct person.
I do think that there is an almost more old fashioned mentality to the way musical theatre people and actresses especially are treated.
Look at the number of cop shows and lawyer shows and forensics shows... I think there could be room for two quite different examinations of the same political office.
It's such an old-fashioned attitude to make people feel like they're not good enough for your clothes. That's so negative and so old-fashioned and wrong.
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