A Quote by Laura Benanti

That's all TV acting is. Like, let me find my mark and seem like I'm still acting. Sometimes they'll put sandbags there, but then it's even funnier because you're walking and you're, like, stepping into sandbags, so now you look like you're having a seizure.
Writers must fortify themselves with pride and egotism as best they can. The process is analogous to using sandbags and loose timbers to protect a house against flood. Writers are vulnerable creatures like anyone else. For what do they have in reality? Not sandbags, not timbers. Just a flimsy reputation and a name.
I think the best models are actors, you're taking on a character. In that sense, I have been acting for a long time. It didn't seem like a crazy transition. Acting is a bigger step into modelling in a way. Modelling is easier when you don't look like yourself. When you look like a different person, you feel different. Acting goes deeper into that, you have to move and talk like that character. I love it.
The most significant piece of advice my father gave me early on about acting was, don't get caught acting. Really believe in what you're doing and then commit to it. Even if it feels uncomfortable, even if you feel that you're gonna look like an ass. It's all acting, but find the truth in a moment as opposed to just pretending you have and rather than trying to act your way out of it.
For the camera, I like the feeling of changing into different characters. Even though I'm not acting, I still have to be someone different to show the product. If I'm not being someone different, I won't find it fun. I love the shows because it transforms you into a different person. Not Malaika - it makes me someone else. Naturally, I'm quiet and crazy. But when they give me an outfit, like a very elegant outfit, it transforms me into this beautiful woman - I can feel it inside me. I like that, playing different characters. I'm really interested in acting.
We have so much access to one another through technology and everything else, that we're very much used to people being real. When folks go on TV and they're basically acting - if they were good actors they'd be acting and paid for it for a living, but they're not good actors. When we see bad acting, it doesn't look like bad acting, it looks weird, and we are turned off by it. I'm not talking about anybody in particular, that's just politics right now. This generation, I feel like, has incredible bullshit detectors.
Mark Wahlberg, when I was in high school, people were like, 'You look like Marky Mark!' Then as I got older, they were like, 'You look like Donnie Wahlberg.' Now they're like, 'You look like Donnie Wahlberg's cousin from Massachusetts.'
I personally like to talk to people when I'm not doing a scene, still acting as if I'm in Gotham when I'm on set because I don't really like to break character, since I sometimes get distracted. I may get distracted when I'm talking to people and having fun; then I have to check myself.
When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren't like - it wasn't even like they were really trying to go for a laugh, especially in Phil Hartman's case.
Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening.
I can't even tell anyone how it feels when I'm acting, I don't mean to say that I don't have to try. But there's something in my heart that explodes, and I feel like I understand. When I'm acting, I feel like so in control and so centered. This is something that I solely get from acting and music. It's like love itself.
Although we're acting, and our minds know that we're acting, our bodies don't quite know that we're acting. So even when you're watching someone acting like they're dying, your body has like a true real response to it.
Let me put it this way. There is more to acting than just acting like somebody. I like to act in such a way that other people get some notion of what it's like to be somebody.
What I try to do often when I'm acting and what I like when I'm seeing good acting is how authentic it is. How true is this to what I know of the world that's been created for me? The ultimate test for me is, like, if I heard a clip of it on the radio, I'd like the audience not to know if I'm acting.
[President Bush] recently challenged Iraqi soldiers still fighting U.S. troops like so: ... 'My answer is bring 'em on.' For those of you who may be criticizing Bush for acting like a movie cowboy, let me remind you. He's actually acting more like a movie cheerleader.
Acting, when you don't want to do it or you disagree with everything, is almost like having sex with someone you don't like. I had one experience like that on stage, in a terrible version of The Cherry Orchard. I put on a wig, dark-coloured contacts and just hoped no one would recognise me.
I don't look like a fighter. I like it, though, because it just allows me to be in the position I am now, to where I can venture out to wherever I want to go. I can go into acting. I can go into this; I can go different ways now. And because of fighting, I can do that.
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