A Quote by Laura Benanti
I always approach every role through a lens of comedy.
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For every role, you have to always find a different way to approach it, one that's specific and suits what the key is. Every role's a mystery. I think if you know what it is, you probably shouldn't even do it.
Having a range of perspectives allows you to tell stories through a different lens and approach things from fresh angles. If you're straining everything through the same filter, you're always going to wind up with the same product.
Putting any situation through our comedy lens always goes on in our heads.
In every generation and in every intellectual sphere and in every political moment, there have been African American women who have articulated the need to think and talk about race through a lens that looks at gender or think and talk about feminism through a lens that looks at race.
We always tell everyone that women's wrestling has always been told through the lens of a man because it's a male-dominated industry. It's never been told through the lens of a woman and we want to be able to tell that story.
The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.
'50/50' is a comedy. I shouldn't say it's a buddy comedy because it's not farcical, and it's based on a true story, but it's viewing that experience through a very truthful lens of humour.
When a person looks through a colored lens, everything seems to be that color. If the lens is tinted yellow or blue, everything seems yellow or blue. A person who looks at life through the lens of gratitude will always find things to be grateful for.
I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
If you look at yourself and life through the lens of your ego, you'll feel isolated, ganged up on, alone, dfferent, and not part of the crowd. If you look through the lens of Spirit, knowing we're all one, you'll always feel safe, secure, ad loved.
I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
Looking at health through a gender lens is the first step to a more helpful and personalized approach to healing.
I was taught by a lot of great comedy writers to go for the reality in a role, and the comedy will come through.
I think with every character I get, there's an approach that's appropriate. I feel like my own job is to interpret what there is in the film and show that through me, sort of really channel myself through the role. If I feel I need to get into it to the point where I don't leave it, then I will.
[It's] the lens through which your brain views the world that shapes your reality. And if we can change the lens, not only can we change your happiness, we can change every single educational and business outcome at the same time.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
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