A Quote by Laura Benanti

A lot of times, when you're the leading lady, you get to sing heartwarming songs and that's it, and people don't get a sense of who you truly are. — © Laura Benanti
A lot of times, when you're the leading lady, you get to sing heartwarming songs and that's it, and people don't get a sense of who you truly are.
If leading worship is just about bringing a group of people into a room so we can get goosebumps and sing songs together, there's not much value in that. But if leading worship is a means to an end, that we leave this place as a different kind of people, as part of a new humanity that God wants to create... then that matters.
I shouldn't say this, but I always love the sidekicks. I want to do a leading-lady role in a film - absolutely. But I find that a lot of times I get attracted to the sidekick role. They stand out a little more because they're quirkier, they're funnier, they're crazier.
He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.
With our fans, a lot of times, people get upset because maybe they didn't get what they wanted, whatever. But we always write the songs for us, number one.
I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
My aim in times to come is not to just work with Muslims but to actually sing songs for everyone and sing songs in which people all over the world can relate to.
I'm just going to sing my music; I'm going to write my songs, and I think that people get to know me in that sense.
That's the beautiful part about acting - you get to play somebody other than yourself. So, I'm open to people who can't sing, people who can, people that sing a little bit, or people that sing a lot.
I get to work with people I love who challenge and inspire me. And I get to sing songs that do that same thing!
I sing and play guitar, but songwriting is how I pay my rent. And so I didn't really need a lot of publicity to get people to record the songs.
I love my lecture tours. I get up onstage. I have my stack of books and a glass of water and a microphone. No podium, no distance between me and the audience, and I just talk to people and get all excited and tell a lot of jokes, and sing some songs, and read from my work and remind people how powerful they are and how beautiful they are.
Once you get into your 40s, you're no longer leading-lady age. Generally, those roles get offered to women in their 20s and 30s.
No matter how many times people try to pick my lyrics apart, nobody will really understand what these songs truly mean to me because I would rather not get into it.
I had this talent for these stupid little teenage songs. I just couldn't get anyone to sing my songs, so I had to sing my own tunes.
Most of the times that I've written break-up songs, it's been different because I was always trying to get back to something: get back to a situation or talk my way or sing my way back into the relationship.
I want to sing more in Spanish. I want to sing the songs of Granados; the songs of Montsalvatge. To do things that truly I've not done before.
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