A Quote by Laura Benanti

Do I want to write a musical? No. I like to do musicals. — © Laura Benanti
Do I want to write a musical? No. I like to do musicals.
All the more a cheesy musical seems fake, so it requires a level of honesty to be injected or an acknowledgement of that which is fake and fun about musicals, and it isn't necessarily escapist. Like there are great musicals like Once, which feel very almost like a mumblecore musical. I love Once. It's great.
I've had offers for Broadway and Hollywood musicals, but I do not want to take just any musical. I want the musical that's right for me when I'm right for it.
There's a lot of great, talented, passionate musical theatre practitioners and directors here. But it's very hard to suddenly start building great musicals in a town like Sydney where there hasn't been any great musicals built.
I did a lot of musicals when I was young and finally went to drama school to try and get away from doing musicals... and of course the first thing that happened when I got out is I got offered a musical. And then when I got to the Royal Shakespeare Company, which was my next job, I ended up doing a bloody musical!
I've auditioned for musicals a lot, but I think my voice didn't really match what they were looking for. I went to school for musical theater for a year and dropped out. Legit musicals are not quite my forte.
I used to watch a lot of musicals as a kid. Musical movies, not so much musical theater.
It's almost scary how amateur I am when it comes to musicals - I'm a musical goer, but I am not as obsessed with musicals as perhaps some of my theatrical friends are.
Its almost scary how amateur I am when it comes to musicals - Im a musical goer, but I am not as obsessed with musicals as perhaps some of my theatrical friends are.
I would love to be in musical theater and be on Broadway. If someone were to offer me a position to do something like that, I wouldnt pass it down. Im a huge fan of musicals and I really want to do that.
When I first got to New York, all I did was musicals. After a few years I had to make a conscious choice to close the door on musicals, because I was getting pigeon-holed as a musical theater performer.
I love plays that have musical moments. I'm not a big fan of musicals per se, but I love straight plays that have musical edges to them. I don't know if I will ever be able to structure a musical, but 'Finer Noble Gases' is as close as I've gotten.
I write plays, and I have a musical that's starting to get produced now. That's what I would love to do, but it's so hard. The only reason people are reading my plays and musicals is because I'm in movies.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
I think the genre of musical theatre, when it started, the pop songwriters of the time were writing the music. I think sometimes when we write musicals now, we keep writing in that same style, as though that's the musical theatre genre... We have to figure out how to tell stories with the music that we listen to now, or we'll lose our audience.
I don't know what really makes a great musical or not. In the end, you write it, and you write it because you want to write it.
I kind of feel like with a musical, there's so few original musicals that people just don't know what to expect.
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