A Quote by Laura Carmichael

You have to have sympathy for and an empathy with a character in order to play them. — © Laura Carmichael
You have to have sympathy for and an empathy with a character in order to play them.
I really connect with every character that I've played, just because I kinda have to; as an actor, you want to take them in and get to know them and like them; because they're evil, you kinda have to like them so that you can understand them and play them and play them with some kind of empathy.
Plays can create empathy. If you put a Muslim character on stage, and make him a full character, you're making it possible for the audience to feel empathy, and a little empathy on both sides would help.
Sympathy relies on a common experience. If you're clumsy, you might have sympathy for others who tend to bump into things. Empathy, on the other hand, is the ability to understand another person's feelings even if you've never experienced them yourself.
It's hard to penetrate characters who are very cut off and lack empathy and to do it with sympathy. It's so easy to make a damaged character repugnant.
In order to get inside their skin, I have to identify with them. That includes even the ones who are complete bastards, nasty, twisted, deeply flawed human beings with serious psychological problems. Even them. When I get inside their skin and look out through their eyes, I have to feel a certain - if not sympathy, certainly empathy for them. I have to try to perceive the world as they do, and that creates a certain amount of affection.
With empathy, I'm fully with them, not full of them — that's sympathy.
Because a human being is endowed with empathy, he violates the natural order if he does not reach out to those who need care. Responding to this empathy, one is in harmony with the order of things, with dharma; otherwise, one is not.
Empathy is much bigger than sympathy. When the character is empathised with, that means you have succeeded as an actor. So even if it's a villain, the audiences don't hate you... they understand why you have turned into a villain.
You can't have empathy for somebody that's gone through something you haven't - because, definitionally, you can't. But you can feel for them and have sympathy for them. And that's what this country needs to practice more. It's about realizing that you do come from a different place.
Good characters don't believe they're bad. As long as you as an actor believe in them and try to understand them, it's not hard to have empathy and sympathy.
As the actor, you just have to believe in what your character is doing in order to play them.
It's - you know, acting's all about relatability and finding empathy for a character, which is essentially, kind of, you're finding empathy with a part of yourself, which is a part of a character that was written by someone else, which was essentially kind of a part of them as well because it was a voice in their head they wrote down.
You definitely put a bit of yourself in every character, and you always have to have an understanding and empathy for the person that you play.
For the most part, people use "empathy" to mean everything good. For instance, many medical schools have courses in empathy. But if you look at what they mean, they just want medical students to be nicer to their patients, to listen to them, to respect them, to understand them. What's not to like? If they were really teaching empathy, then I'd say there is a world of problems there.
Empathy fuels connection; sympathy drives disconnection.
You have to play the character in the best way you know how and do what you need to do in order to bring that character to life and not worry about the millions of people that you may be disappointing!
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