A Quote by Laura Carmichael
My history teacher was utterly terrifying, but her lessons were very inspiring. She got me interested in people and stories, which then led me to acting.
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My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
My mom kind of led me toward acting. She wanted to be an actress when she was younger. That made me interested in it when I was a kid, because she and I are very close.
I should mention that I took piano lessons beginning when I was four. My mother was my first teacher, and it was a wonderful way to bond with her. She was a terrific supporter of my musical career. I knew I wanted to be in music since I began lessons, and I enjoy the various facets that my career has led me.
My first official teaching job was at GIT, which was fantastic because I wanted to pay the rent and I got to stay in the building, which is an inspiring place to be - the vibe was there. My first gig was doing private lessons. It went great. Then they decided to promote me to a classroom teacher. I taught a class called Single String Technique.
Women's stories are as powerful, inspiring, and terrifying as the goddess herself. And in fact, these are the stories of the goddess. As women, we know her because we are her. Each woman, no matter how powerless she might feel, is a cell within her vast form, an embodiment of her essence, and each woman's story is a chapter in the biography of the sacred feminine.
I was very curious, that's why I think my reality TV seems normal. I watch a lot of reality TV because I am so interested in people and observing people. From a very young age I can remember watching a woman with a guy and she's rolling her eyes and he's pleading with her and I would think, she doesn't want to be with him, he's in love with her, she likes this other guy and I would make up these stories in my head about these people. That helps me sort of profile people and that is a key to being able to read people.
Let me explain it to you then. I just had a beautiful girl trust me enough to touch her and see her in a way no one else ever has. I got to hold her and watch her and feel her as she came apart in my arms. It was like nothing else I'd ever experienced. She was breathtaking and she was responding to me. She wanted me. I was the one making her spiral out of control.
My mom is an entertainment attorney, and she brought me to a BMI panel for people who were interested in becoming artists. While I was there, her friends kept peer pressuring me to go and sing in front of everyone because I was a very, very shy girl.
You reminded me of a quote that my acting teacher Stella Adler wrote in her book ['The Art of Acting'], which I asked her to sign: "The young actor feels some greatness inside themselves that they want to give back to the world." That resonated with me, but I didn't really understand what she was talking about until much later, in the way you surmised that my struggle to become an actor was from being this kind of introverted young boy.
My mom graduated from the University of Michigan, which is a great school. Then she got her Master's from NYU. She wanted to be an actress, so when she graduated, she had a dream, and she started following it. She moved to New York and took acting classes with people like Denzel Washington.
I am confident in saying that Oberlin did more for me than vice versa. I took a fantastic class in religion, which led me to archaeology, which got me to the Middle East, which led me to international relations, which launched me on my career.
Well I was eight years old, and I have an older cousin who is three years older than me and she was doing acting, commercials, and modeling at the time and... to see my cousin doing that was really inspiring and I wanted to do it. So I went to my mom and I asked her if I could do it, and for the acting part of it, she made me study for a year.
I had a fan who had a fictional relationship with me. She wrote letters to me and then wrote return letters to herself (from me). In her mind, we were married and had two children. Her parents finally uncovered this delusional life she was living and she got help.
In seventh grade I had a magical teacher, her name was Mrs. Fried. She wore only pink, she drove a pink Mustang, and she was half out of her head. But very inspiring. And one day she said, "Take out a paper and pen and write something about peace." For some reason I wrote a poem on Noah - I don't know why I chose Noah - and it turned out it was for a contest for the UN. I ended up winning and reading the poem in front of the UN. I remember Mrs. Fried telling me, "When you write your first book, dedicate it to me." That was like, "Whoa."
The casting director on the movie made me aware of her. She told me what to watch Starter For Ten, which I did and thought she was great in. She was just so charming and beautiful. But I felt she could probably look plain if we tried. And when I subsequently met with her, I was so charmed by her vulnerability and sweetness. Those were two qualities that were the most important for that character.
We all grew up so utterly vulnerable, enthralled by romantic love as we knew it. First of all, it was pounded into you every which way that you've got to get married and you've got to have babies. That you're not a natural woman if you don't. So that led to a lot of sitting by the telephone and waiting for a call. And that led you into a culture in which you were always in a subordinate position without realizing it; hamstrung, not able to take action. That was the most important thing: you were always waiting to be desired.
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